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Tony Williams' drumset ideology to 1969 : Synergistic emergence from an adaptive modeling of feel, technique and creativity as an archetype for cultivating originality in jazz drumset performance studies

Autor: Dave Goodman; Sydney Conservatorium of Music.
Editora: 2011.
Dissertação: Thesis (Ph. D.) -- University of Sydney, 2011.
Edição/Formato   Tese/dissertação : Documento : Tese/dissertação : e-book   Arquivo de Computador : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
"I identify Tony Williams' formative drumset ideology as being emergent from his adaptive modeling of the feel, technique and creativity identified in the drumming of Art Blakey, Max Roach and Philly Joe Jones respectively and present the results of extensive textual and musicological research on Williams' formative practices between 1945 and 1969 as an archettype for cultivating originality in jazz drumset  Ler mais...
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Detalhes

Pessoa Denominada: Tony Williams
Tipo de Material: Documento, Tese/dissertação, Recurso Internet
Tipo de Documento: Recurso Internet, Arquivo de Computador
Todos os Autores / Contribuintes: Dave Goodman; Sydney Conservatorium of Music.
Número OCLC: 806880741
Notas: Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Sydney Conservatorium of Music.
Outros Títulos: Synergistic emergence from an adaptive modeling of feel, technique and creativity as an archetype for cultivating originality in jazz drumset performance studies
Responsabilidade: Dave Goodman.

Resumo:

"I identify Tony Williams' formative drumset ideology as being emergent from his adaptive modeling of the feel, technique and creativity identified in the drumming of Art Blakey, Max Roach and Philly Joe Jones respectively and present the results of extensive textual and musicological research on Williams' formative practices between 1945 and 1969 as an archettype for cultivating originality in jazz drumset performance studies..."

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