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Tony Williams' drumset ideology to 1969 : Synergistic emergence from an adaptive modeling of feel, technique and creativity as an archetype for cultivating originality in jazz drumset performance studies 预览资料
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Tony Williams' drumset ideology to 1969 : Synergistic emergence from an adaptive modeling of feel, technique and creativity as an archetype for cultivating originality in jazz drumset performance studies

著者: Dave Goodman; Sydney Conservatorium of Music.
出版商: 2011.
论文: Thesis (Ph. D.) -- University of Sydney, 2011.
版本/格式:   硕士/博士论文 : 文献 : 硕士论文/博士论文 : 电子图书   计算机文档 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
"I identify Tony Williams' formative drumset ideology as being emergent from his adaptive modeling of the feel, technique and creativity identified in the drumming of Art Blakey, Max Roach and Philly Joe Jones respectively and present the results of extensive textual and musicological research on Williams' formative practices between 1945 and 1969 as an archettype for cultivating originality in jazz drumset  再读一些...
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提及的人: Tony Williams
材料类型: 文献, 硕士论文/博士论文, 互联网资源
文件类型: 互联网资源, 计算机文档
所有的著者/提供者: Dave Goodman; Sydney Conservatorium of Music.
OCLC号码: 806880741
注意: Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Sydney Conservatorium of Music.
其他题名: Synergistic emergence from an adaptive modeling of feel, technique and creativity as an archetype for cultivating originality in jazz drumset performance studies
责任: Dave Goodman.

摘要:

"I identify Tony Williams' formative drumset ideology as being emergent from his adaptive modeling of the feel, technique and creativity identified in the drumming of Art Blakey, Max Roach and Philly Joe Jones respectively and present the results of extensive textual and musicological research on Williams' formative practices between 1945 and 1969 as an archettype for cultivating originality in jazz drumset performance studies..."

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