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Tony Williams' drumset ideology to 1969 : Synergistic emergence from an adaptive modeling of feel, technique and creativity as an archetype for cultivating originality in jazz drumset performance studies 線上預覽
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Tony Williams' drumset ideology to 1969 : Synergistic emergence from an adaptive modeling of feel, technique and creativity as an archetype for cultivating originality in jazz drumset performance studies

作者: Dave Goodman; Sydney Conservatorium of Music.
出版商: 2011.
論文: Thesis (Ph. D.) -- University of Sydney, 2011.
版本/格式:   碩士/博士論文 : 文獻 : 碩士論文/博士論文 : 電子書   電腦資料 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
"I identify Tony Williams' formative drumset ideology as being emergent from his adaptive modeling of the feel, technique and creativity identified in the drumming of Art Blakey, Max Roach and Philly Joe Jones respectively and present the results of extensive textual and musicological research on Williams' formative practices between 1945 and 1969 as an archettype for cultivating originality in jazz drumset  再讀一些...
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提及的人: Tony Williams
資料類型: 文獻, 碩士論文/博士論文, 網際網路資源
文件類型: 網路資源, 電腦資料
所有的作者/貢獻者: Dave Goodman; Sydney Conservatorium of Music.
OCLC系統控制編碼: 806880741
注意: Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Sydney Conservatorium of Music.
其他題名: Synergistic emergence from an adaptive modeling of feel, technique and creativity as an archetype for cultivating originality in jazz drumset performance studies
責任: Dave Goodman.

摘要:

"I identify Tony Williams' formative drumset ideology as being emergent from his adaptive modeling of the feel, technique and creativity identified in the drumming of Art Blakey, Max Roach and Philly Joe Jones respectively and present the results of extensive textual and musicological research on Williams' formative practices between 1945 and 1969 as an archettype for cultivating originality in jazz drumset performance studies..."

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