|資料類型：||文獻, 碩士論文/博士論文, 網際網路資源|
Dave Goodman; Sydney Conservatorium of Music.
|注意：||Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Sydney Conservatorium of Music.|
|其他題名：||Synergistic emergence from an adaptive modeling of feel, technique and creativity as an archetype for cultivating originality in jazz drumset performance studies|
"I identify Tony Williams' formative drumset ideology as being emergent from his adaptive modeling of the feel, technique and creativity identified in the drumming of Art Blakey, Max Roach and Philly Joe Jones respectively and present the results of extensive textual and musicological research on Williams' formative practices between 1945 and 1969 as an archettype for cultivating originality in jazz drumset performance studies ..."