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Toscanini: the man behind the legend. : Program no. 203 centennial program no. 19.

Autor: Ben Grauer; Don Gillis; Adrian Boult; Ludwig van Beethoven
Editora: May 10, 1967.
Edição/Formato   Música em CD : Áudio em CD : Fita de carretel : Inglês
Publicação:Toscanini Legacy collection of sound recordings.
Base de Dados:WorldCat
Resumo:
During intermission, Sir Adrian Boult, a prominent British conductor of BBC Symphony Orchestra, describes his encounters with Toscanini, who made a series of broadcast recordings with this orchestra and conducted it in performances during a decade prior to the World War II. Boult analyzes maestro's approach to music as a colleague and fellow musician and points to Toscanini's "magnetic power" that enabled him to get  Ler mais...
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Detalhes

Gênero/Forma: Classical music radio programs
Interviews
Excerpts
Pessoa Denominada: Arturo Toscanini; Adrian Boult; Adrian Boult; Arturo Toscanini
Tipo de Material: Música
Tipo de Documento: Gravação de Som
Tipo de Música: Aberturas; Sinfonias
Todos os Autores / Contribuintes: Ben Grauer; Don Gillis; Adrian Boult; Ludwig van Beethoven
Número OCLC: 277223613
Notas: Durations: 00:37:50 (music) ; 00:15:35 (Introduction, intermission feature, and conclusion).
Créditos: Produced by Don Gillis.
Executor(es): Ben Grauer, broadcast announcer ; Adrian Boult, interviewee.
Notas de produção: Broadcast by NBC on May 10, 1967.
Descrição: 1 sound tape reel (53:35) : analog, 7 1/2 ips., full track mono. ; 10 in.
Conteúdos: Introductory remarks (Grauer) --
The creatures of Prometheus overture --
Intermission feature with Adrian Boult --
Symphony no. 7, op. 92 in A major / Beethoven --
Concluding remarks (Grauer).
Outros Títulos: Toscanini Legacy collection of sound recordings.
Toscanini: the man behind the legend (Radio program)
Centennial program no. 19

Resumo:

During intermission, Sir Adrian Boult, a prominent British conductor of BBC Symphony Orchestra, describes his encounters with Toscanini, who made a series of broadcast recordings with this orchestra and conducted it in performances during a decade prior to the World War II. Boult analyzes maestro's approach to music as a colleague and fellow musician and points to Toscanini's "magnetic power" that enabled him to get orchestra players do their absolute best.

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