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Touching God : the novels of Georges Bernanos in the films of Robert Bresson

Autor Beth Kathryn Curran
Vydavatel: New York : P. Lang, ©2006.
Edice: Currents in comparative Romance languages and literatures, v. 144.
Vydání/formát:   book_printbook : EnglishZobrazit všechny vydání a formáty
Databáze:WorldCat
Shrnutí:
"Robert Bresson (1901-1999), one of the most original filmmakers in the history of cinema, adapted two novels by Georges Bernanos (1888-1948), Journal d'un cure de campagne and Nouvelle Histoire de Mouchette. The Catholic novelist Bernanos and the spiritual filmmaker Bresson, each in his own way, articulate grace and redemption through the suffering and death of their heroes/heroines. As a result, the reader and the  Přečíst více...
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Detaily

Žánr/forma: Criticism, interpretation, etc
Film adaptations
Doplňující formát: Online version:
Curran, Beth Kathryn.
Touching God.
New York : P. Lang, ©2006
(OCoLC)654414904
Osoba: Georges Bernanos; Georges Bernanos; Robert Bresson; Georges Bernanos; Robert Bresson; Georges Bernanos; Robert Bresson; Georges Bernanos; Robert Bresson; Georges Bernanos; Georges Bernanos; Georges Bernanos; Robert Bresson
Typ materiálu: Internetový zdroj
Typ dokumentu: Book, Internet Resource
Všichni autoři/tvůrci: Beth Kathryn Curran
ISBN: 0820478261 9780820478265
OCLC číslo: 61458286
Popis: viii, 124 pages ; 24 cm.
Obsahy: The hero's spiritual destiny in Bernanos's Journal d'un curé de campagne --
The hero's inner drama in Bresson's Journal d'un curé de campagne --
The heroine's redemption in Bernanos's Nouvelle histoire de Mouchette --
The heroine's salvation in Bresson's Mouchette.
Název edice: Currents in comparative Romance languages and literatures, v. 144.
Odpovědnost: Beth Kathryn Curran.
Více informací:

Anotace:

"Robert Bresson (1901-1999), one of the most original filmmakers in the history of cinema, adapted two novels by Georges Bernanos (1888-1948), Journal d'un cure de campagne and Nouvelle Histoire de Mouchette. The Catholic novelist Bernanos and the spiritual filmmaker Bresson, each in his own way, articulate grace and redemption through the suffering and death of their heroes/heroines. As a result, the reader and the spectator come to sense the presence of God in all four works. Bresson's techniques are presented and analyzed, as well as his later move to films without grace and redemption."--Jacket.

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