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Touching God : the novels of Georges Bernanos in the films of Robert Bresson Titelvorschau
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Touching God : the novels of Georges Bernanos in the films of Robert Bresson

Verfasser/in: Beth Kathryn Curran
Verlag: New York : P. Lang, ©2006.
Serien: Currents in comparative Romance languages and literatures :, v. 144.
Ausgabe/Format   Buch : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
"Robert Bresson (1901-1999), one of the most original filmmakers in the history of cinema, adapted two novels by Georges Bernanos (1888-1948), Journal d'un cure de campagne and Nouvelle Histoire de Mouchette. The Catholic novelist Bernanos and the spiritual filmmaker Bresson, each in his own way, articulate grace and redemption through the suffering and death of their heroes/heroines. As a result, the reader and the  Weiterlesen…
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Gattung/Form: Film adaptations
Physisches Format Online version:
Curran, Beth Kathryn.
Touching God.
New York : P. Lang, c2006
(OCoLC)654414904
Name: Georges Bernanos; Georges Bernanos; Robert Bresson; Georges Bernanos; Robert Bresson; Georges Bernanos; Robert Bresson
Medientyp: Internetquelle
Dokumenttyp: Buch, Internet-Ressource
Alle Autoren: Beth Kathryn Curran
ISBN: 0820478261 9780820478265
OCLC-Nummer: 61458286
Beschreibung: viii, 124 p. ; 24 cm.
Inhalt: The hero's spiritual destiny in Bernanos's Journal d'un curé de campagne --
The hero's inner drama in Bresson's Journal d'un curé de campagne --
The heroine's redemption in Bernanos's Nouvelle histoire de Mouchette --
The heroine's salvation in Bresson's Mouchette.
Serientitel: Currents in comparative Romance languages and literatures :, v. 144.
Verfasserangabe: Beth Kathryn Curran.
Weitere Informationen:

Abstract:

"Robert Bresson (1901-1999), one of the most original filmmakers in the history of cinema, adapted two novels by Georges Bernanos (1888-1948), Journal d'un cure de campagne and Nouvelle Histoire de Mouchette. The Catholic novelist Bernanos and the spiritual filmmaker Bresson, each in his own way, articulate grace and redemption through the suffering and death of their heroes/heroines. As a result, the reader and the spectator come to sense the presence of God in all four works. Bresson's techniques are presented and analyzed, as well as his later move to films without grace and redemption."--BOOK JACKET.

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