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Touching God : the novels of Georges Bernanos in the films of Robert Bresson

Autore: Beth Kathryn Curran
Editore: New York : P. Lang, ©2006.
Serie: Currents in comparative Romance languages and literatures, v. 144.
Edizione/Formato:   Libro : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"Robert Bresson (1901-1999), one of the most original filmmakers in the history of cinema, adapted two novels by Georges Bernanos (1888-1948), Journal d'un cure de campagne and Nouvelle Histoire de Mouchette. The Catholic novelist Bernanos and the spiritual filmmaker Bresson, each in his own way, articulate grace and redemption through the suffering and death of their heroes/heroines. As a result, the reader and the  Per saperne di più…
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Dettagli

Genere/forma: Criticism, interpretation, etc
Film adaptations
Informazioni aggiuntive sul formato: Online version:
Curran, Beth Kathryn.
Touching God.
New York : P. Lang, c2006
(OCoLC)654414904
Persona incaricata: Georges Bernanos; Georges Bernanos; Robert Bresson; Georges Bernanos; Robert Bresson; Georges Bernanos; Robert Bresson; Georges Bernanos; Robert Bresson
Tipo materiale: Risorsa internet
Tipo documento: Book, Internet Resource
Tutti gli autori / Collaboratori: Beth Kathryn Curran
ISBN: 0820478261 9780820478265
Numero OCLC: 61458286
Descrizione: viii, 124 p. ; 24 cm.
Contenuti: The hero's spiritual destiny in Bernanos's Journal d'un curé de campagne --
The hero's inner drama in Bresson's Journal d'un curé de campagne --
The heroine's redemption in Bernanos's Nouvelle histoire de Mouchette --
The heroine's salvation in Bresson's Mouchette.
Titolo della serie: Currents in comparative Romance languages and literatures, v. 144.
Responsabilità: Beth Kathryn Curran.
Maggiori informazioni:

Abstract:

"Robert Bresson (1901-1999), one of the most original filmmakers in the history of cinema, adapted two novels by Georges Bernanos (1888-1948), Journal d'un cure de campagne and Nouvelle Histoire de Mouchette. The Catholic novelist Bernanos and the spiritual filmmaker Bresson, each in his own way, articulate grace and redemption through the suffering and death of their heroes/heroines. As a result, the reader and the spectator come to sense the presence of God in all four works. Bresson's techniques are presented and analyzed, as well as his later move to films without grace and redemption."--BOOK JACKET.

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