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Touching God : the novels of Georges Bernanos in the films of Robert Bresson

저자: Beth Kathryn Curran
출판사: New York : P. Lang, ©2006.
시리즈: Currents in comparative Romance languages and literatures, v. 144.
판/형식:   Print book : 영어모든 판과 형식 보기
데이터베이스:WorldCat
요약:
"Robert Bresson (1901-1999), one of the most original filmmakers in the history of cinema, adapted two novels by Georges Bernanos (1888-1948), Journal d'un cure de campagne and Nouvelle Histoire de Mouchette. The Catholic novelist Bernanos and the spiritual filmmaker Bresson, each in his own way, articulate grace and redemption through the suffering and death of their heroes/heroines. As a result, the reader and the  더 읽기…
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장르/형태: Criticism, interpretation, etc
Film adaptations
추가적인 물리적 형식: Online version:
Curran, Beth Kathryn.
Touching God.
New York : P. Lang, ©2006
(OCoLC)654414904
명시된 사람: Georges Bernanos; Georges Bernanos; Robert Bresson; Georges Bernanos; Robert Bresson; Georges Bernanos; Robert Bresson; Georges Bernanos; Robert Bresson
자료 유형: 인터넷 자료
문서 형식: 책, 인터넷 자원
모든 저자 / 참여자: Beth Kathryn Curran
ISBN: 0820478261 9780820478265
OCLC 번호: 61458286
설명: viii, 124 pages ; 24 cm.
내용: The hero's spiritual destiny in Bernanos's Journal d'un curé de campagne --
The hero's inner drama in Bresson's Journal d'un curé de campagne --
The heroine's redemption in Bernanos's Nouvelle histoire de Mouchette --
The heroine's salvation in Bresson's Mouchette.
일련 제목: Currents in comparative Romance languages and literatures, v. 144.
책임: Beth Kathryn Curran.
더 많은 정보:

초록:

"Robert Bresson (1901-1999), one of the most original filmmakers in the history of cinema, adapted two novels by Georges Bernanos (1888-1948), Journal d'un cure de campagne and Nouvelle Histoire de Mouchette. The Catholic novelist Bernanos and the spiritual filmmaker Bresson, each in his own way, articulate grace and redemption through the suffering and death of their heroes/heroines. As a result, the reader and the spectator come to sense the presence of God in all four works. Bresson's techniques are presented and analyzed, as well as his later move to films without grace and redemption."--Jacket.

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