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Touching God : the novels of Georges Bernanos in the films of Robert Bresson

Auteur: Beth Kathryn Curran
Uitgever: New York : P. Lang, ©2006.
Serie: Currents in comparative Romance languages and literatures, v. 144.
Editie/Formaat:   Boek : EngelsAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
"Robert Bresson (1901-1999), one of the most original filmmakers in the history of cinema, adapted two novels by Georges Bernanos (1888-1948), Journal d'un cure de campagne and Nouvelle Histoire de Mouchette. The Catholic novelist Bernanos and the spiritual filmmaker Bresson, each in his own way, articulate grace and redemption through the suffering and death of their heroes/heroines. As a result, the reader and the  Meer lezen...
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Details

Genre/Vorm: Criticism, interpretation, etc
Film adaptations
Aanvullende fysieke materiaalsoort: Online version:
Curran, Beth Kathryn.
Touching God.
New York : P. Lang, c2006
(OCoLC)654414904
Genoemd persoon: Georges Bernanos; Georges Bernanos; Robert Bresson; Georges Bernanos; Robert Bresson; Georges Bernanos; Robert Bresson; Georges Bernanos; Robert Bresson
Genre: Internetbron
Soort document: Boek, Internetbron
Alle auteurs / medewerkers: Beth Kathryn Curran
ISBN: 0820478261 9780820478265
OCLC-nummer: 61458286
Beschrijving: viii, 124 p. ; 24 cm.
Inhoud: The hero's spiritual destiny in Bernanos's Journal d'un curé de campagne --
The hero's inner drama in Bresson's Journal d'un curé de campagne --
The heroine's redemption in Bernanos's Nouvelle histoire de Mouchette --
The heroine's salvation in Bresson's Mouchette.
Serietitel: Currents in comparative Romance languages and literatures, v. 144.
Verantwoordelijkheid: Beth Kathryn Curran.
Meer informatie:

Fragment:

"Robert Bresson (1901-1999), one of the most original filmmakers in the history of cinema, adapted two novels by Georges Bernanos (1888-1948), Journal d'un cure de campagne and Nouvelle Histoire de Mouchette. The Catholic novelist Bernanos and the spiritual filmmaker Bresson, each in his own way, articulate grace and redemption through the suffering and death of their heroes/heroines. As a result, the reader and the spectator come to sense the presence of God in all four works. Bresson's techniques are presented and analyzed, as well as his later move to films without grace and redemption."--BOOK JACKET.

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