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Touching God : the novels of Georges Bernanos in the films of Robert Bresson

Autor: Beth Kathryn Curran
Editora: New York : P. Lang, ©2006.
Séries: Currents in comparative Romance languages and literatures, v. 144.
Edição/Formato   Print book : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
"Robert Bresson (1901-1999), one of the most original filmmakers in the history of cinema, adapted two novels by Georges Bernanos (1888-1948), Journal d'un cure de campagne and Nouvelle Histoire de Mouchette. The Catholic novelist Bernanos and the spiritual filmmaker Bresson, each in his own way, articulate grace and redemption through the suffering and death of their heroes/heroines. As a result, the reader and the  Ler mais...
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Detalhes

Gênero/Forma: Criticism, interpretation, etc
Film adaptations
Formato Físico Adicional: Online version:
Curran, Beth Kathryn.
Touching God.
New York : P. Lang, ©2006
(OCoLC)654414904
Pessoa Denominada: Georges Bernanos; Georges Bernanos; Robert Bresson; Georges Bernanos; Robert Bresson; Georges Bernanos; Robert Bresson; Georges Bernanos; Robert Bresson
Tipo de Material: Recurso Internet
Tipo de Documento: Livro, Recurso Internet
Todos os Autores / Contribuintes: Beth Kathryn Curran
ISBN: 0820478261 9780820478265
Número OCLC: 61458286
Descrição: viii, 124 pages ; 24 cm.
Conteúdos: The hero's spiritual destiny in Bernanos's Journal d'un curé de campagne --
The hero's inner drama in Bresson's Journal d'un curé de campagne --
The heroine's redemption in Bernanos's Nouvelle histoire de Mouchette --
The heroine's salvation in Bresson's Mouchette.
Título da Série: Currents in comparative Romance languages and literatures, v. 144.
Responsabilidade: Beth Kathryn Curran.
Mais informações:

Resumo:

"Robert Bresson (1901-1999), one of the most original filmmakers in the history of cinema, adapted two novels by Georges Bernanos (1888-1948), Journal d'un cure de campagne and Nouvelle Histoire de Mouchette. The Catholic novelist Bernanos and the spiritual filmmaker Bresson, each in his own way, articulate grace and redemption through the suffering and death of their heroes/heroines. As a result, the reader and the spectator come to sense the presence of God in all four works. Bresson's techniques are presented and analyzed, as well as his later move to films without grace and redemption."--Jacket.

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