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| Genre/Form: | Biography |
|---|---|
| Named Person: | Townes Van Zandt |
| Material Type: | Videorecording |
| Document Type: | Visual material |
| All Authors / Contributors: |
Margaret Brown; Sam Brumbaugh; Lee Daniel |
| OCLC Number: | 156746774 |
| Language Note: | Close-captioned. In English. |
| Notes: | Catalogued from container. Originally released as a motion picture in 2004. Special features: performances from Townes Van Zandt, JT Van Zandt, Devendra Banhart; interviews with featured artists; commentary track with director Margaret Brown, cinematographer Lee Daniel and musician Joe Ely; US theatrical trailer; weblinks. |
| Credits: | Produced by Sam Brumbaugh, Margaret Brown ; cinematographer, Lee Daniel. |
| Performer(s): | Margaret Brown, producer and director. |
| Description: | 1 videodisc (100 min.) : sd., col. ; 4 3/4 in. |
| Details: | DVD ; produced for region 1 ; NTSC. |
| Other Titles: | Be here to love me |
| Responsibility: | director, Margaret Brown. |
Abstract:
Reviews
Educational Media Reviews Online (1)
Townes Van Zandt: Be Here to Love Me
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Born in Fort Worth to a wealthy Texas oil family, Van Zandt taught himself to write music in the mid-sixties, when he abandoned the norms of family life to travel and explore his art. His accomplishments as a songwriter were largely overshadowed by alcohol abuse and an inability to make emotional connections with the people around him. Van Zandt died prematurely in 1997 at age 52 from a heart attack following hip surgery, and the film hints at alcohol withdrawal being one of the contributing factors in his death.
The filmâs director, Margaret Brown, interweaves, footage from home movies, rare musical performances, and honest, straightforward interviews with close family and friends, including his ex-wives, children, and a plethora of musicians, including Guy Clark, Emmylou Harris, and Kris Kristofferson, just to name a few. The drifting, nostalgic scenes from Van Zandtâs home movies, spanning from childhood through adulthood, are deftly interlaid with his bittersweet songs. In a directorial style mirroring Van Zandtâs own lyrical style, Brown provides a portrait of the man without feeling the need to spell everything out, and instead lets the viewer fill in the blanks and draw their own conclusions regarding Van Zandtâs decision to give up normal family life in pursuit of his art.
This film provides a masterful look into the life and art of a man whose music has profoundly impacted the landscape of modern songwriting. It is highly recommended viewing for all songwriters, Townes Van Zandt fans, and any music lover who holds an appreciation for contemporary song.


