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Détails
| Genre/forme : | Live sound recordings Songs and music |
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| Personne nommée : | Solomon, King of Israel | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Type d’ouvrage : | Musique | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Format : | Enregistrement sonore | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Genre de musique : | Rhapsodies; Chansons; Concertos; Suites | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Tous les auteurs / collaborateurs : |
Yo-Yo Ma; Man Wu; Miguel Harth-Bedoya; Alan Gilbert; Ernest Bloch; Bi︠a︡mbasu̇ṙengiĭn Sharav; Lou Harrison; Sergey Prokofiev; Chicago Symphony Orchestra.; Silk Road Ensemble. |
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| Numéro OCLC : | 191960999 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Note sur la langue : | The 2nd work sung in Mongolian. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Notes : | CSO Resound: CSOR 901 802 (on container: CSOR 901 801). The 2nd work for voice, morin khuur (2-string fiddle), 3 trombones, percussion, and piano. Compact disc. Program notes by Phillip Huscher, biographical notes on the performers, and text of the 2nd work in English translation (19 p. : ports.) inserted in container. |
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| Interprète(s) : | Yo-Yo Ma, violoncello (1st work) ; Wu Man, pi pa (3rd work) ; Chicago Symphony Orchestra (1st, 3rd-4th works) ; Silk Road Ensemble (2nd work) ; Miguel Harth-Bedoya (1st and 3rd works), Alan Gilbert (4th work), conductors. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Notes sur la production : | Recorded live, Apr. 12-13, 17 (1st-3rd works) and May 17-19, 22 (4th work), 2007, Orchestra Hall at Symphony Center, Chicago. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Description : | 1 sound disc : digital ; 4 3/4 in. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Description supplémentaire : | Modern, 1900-1999, 1910-1919, Concerto | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Genre / Style : | Concerto; | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Date de lancement : | 2008 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Contenu : |
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| Autres titres : | Sounds of Silk Road Chicago |
Critiques
All Music Guide
Yo-Yo Ma's experiment in musical multiculturalism known as the Silk Road Ensemble rolls on, here in collaboration with the Chicago Symphony Orchestra. This disc, in its way, represents a blueprint for the future of big-name, big-money classical music; self-released by the orchestra, it is an eclectic piece of work with appeal to classical music's growing Asian constituencies, and it combines traditional repertoire with new things and a look at a past master with a globe-spanning orientation. The latter item is the best news here. Lou Harrison's Pipa Concerto, composed in 1997, was the final major work of the great experimenter in fusion of Asian and Western traditions. It was written for Chinese pipa player Wu Man, herself an adherent of cross-cultural ideals who has worked with the Kronos Quartet and other Western ensembles. The pipa is a Chinese instrument, a pear-shaped lute, that itself was adopted by other Asian cultures, and Harrison by no means restricts himself to Chinese idioms. In seven short movements, the last of which is a medieval French estampie, it constantly reveals new surprises along with a wealth of balances between the quiet solo instrument and the orchestra. The program opens with a pair of works featuring Ma: in Bloch's Swiss-Jewish-American standard Schelomo, he plays the cello, moving to the two-stringed Mongolian morin khuur for Legend of Herlen, by Mongolian composer Byambasuren Sharav. This certainly qualifies as an oddity, but it plays off against the Bloch work nicely. One can understand why Prokofiev's consistently crowd-pleasing Scythian Suite, Op. 20, was chosen as the finale, and the CSO's mighty brasses have lost none of their punch in rendering it under hot young conductor Alan Gilbert. But it tends to overwhelm the more delicate music on the rest of the disc. Perhaps this program loses some of the focus of Ma's earlier Silk Road discs, but, like so much of the cellist's earlier work, it marks out new paths for other musicians. Recommended to all who have been following Ma and his brilliant career. ~ James Manheim, Rovi Lire la suite...
Tags
Ouvrages semblables
Sujets associés :(5)
- Violoncello with orchestra.
- Solomon, -- King of Israel -- Songs and music.
- Songs with instrumental ensemble.
- Concertos (Pi pa)
- Suites (Orchestra)
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de josephhafner mise à jour 2010-11-13