Find a copy online
Links to this item
Find a copy in the library
Finding libraries that hold this item...
|Additional Physical Format:||Print version:
Christoffersen, Svein Aage.
Transcendence and Sensoriness : Perceptions, Revelation, and the Arts.
Leiden : BRILL, ©2015
|Material Type:||Document, Internet resource|
|Document Type:||Internet Resource, Computer File|
|All Authors / Contributors:||
Svein Aage Christoffersen; Geir Hellemo; Leonora Onarheim; Nils Holger Petersen; Margunn Sandal; Frances E Hopenwasser; Leif Stubbe Teglbjærg
|Description:||1 online resource (583 pages) : color illustrations.|
|Contents:||Transcendence and Sensoriness: Perceptions, Revelation, and the Arts; Copyright; Contents; Preface; List of Figures; List of Contributors; Introduction: Art and Aesthetic Experience as Signals ofTranscendence?; PART 1: Approaching the Sphere of Sense Perception; Introduction to Part 1; 1: Theology and Poetic Openness; 2: The Loss of the Aura and the New Sensuousness: Walter Benjaminon the Conditions for Sense Perception in the Age of Technology; 3: Sensoriness and Transcendence: On the Aesthetic Possibility ofExperiencing Divinity. 4: The Phenomenon of Revelation: Jean-Luc Marion's Outline for aPhenomenology of ReligionPART 2: Visual Art and Its Basic Conditions; Introduction to Part 2; 5: The ornamenta ecclesiae in the Middle Ages: Materiality as Transcendence; 6: Ottoman Sensoriness: Nature as a Source of Religious Cognition inIstanbul in the Mid- sixteenth Century; 7: "I Can See Byzantine Art and Understand It": The Problematic of the Byzantine Images and the Immanent Transcendence in Per Kirkeby's Art; 8: God among Thorns: On Anselm Kiefer's Pietà (2007); PART 3: Music and Transcendence; Introduction to Part 3. 9: The Finished Fragment: On Arnold Schoenberg's Moses undAron10: Time and Space in W.A. Mozart's Ave Verum Corpus (1791): Transcendence and the Fictive Space of the Musical Work; 11: The Broken Hallelujah: The Super Hit as Sacred Space; PART 4: Transcendence and Presence in Church Architecture; Introduction to Part 4; 12: The Fullness of Space; 13: Space, Wind and Light: On Transcendence and Early ChurchArchitecture; 14: On Earth as It is in Heaven: St. Hallvard's Church and Abbey; PART 5: Theological Considerations: Imago Dei, Grace and Resurrection; Introduction to Part 5. 15: Transcendence and the Use of Images16: Faith's Creative Mirror Reflection of Heavens's Bliss; 17: The Ambiguity of the Demonic in Paul Tillich's View of Art; 18: When We Dead Awaken: Art, Life and Death; Final Considerations and Perspectives; Index.|
|Series Title:||Studies in religion and the arts, v. 10.|
|Responsibility:||edited by Svein Aage Christoffersen, Geir Hellemo, Leonora Onarheim, Nils Holger Petersen, Margunn Sandal ; translated from Norwegian and Danish by Frances E. Hopenwasser, Leif Stubbe Teglbjærg.|