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Transience : Chinese experimental art at the end of the twentieth century

Author: Wu Hung
Publisher: Chicago : The David and Alfred Smart Museum of Art The University of Chicago, 1999.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:

Identifying three critical aspects of artistic production in China, Wu Hung (guest curator) focused the exhibition "Transience" to explore those themes - "Demystification", "Ruins", and "Transience".  Read more...

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Document Type: Book
All Authors / Contributors: Wu Hung
ISBN: 0935573275 9780935573275
OCLC Number: 41271947
Description: 214 pages : illustrations (some color) ; 29 cm
Contents: Introduction: Pushing the Limits: Chinese Experimental Art from 1979 to 1999 --
pt. 1. Demystification. Counter-Monument: Xu Bing, Ghosts Pounding the Wall. Anti-Writing: Wenda Gu, Pseudo Seal-Script. Nothing Beyond the Gate: Zhang Hongtu, Studs. Mao Revisited: Xing Danwen, Born with the Cultural Revolution. Still Breathing: Song Dong, Breathing. Remembering: Mo Yi, Made by the Police Department 1 and 2. Silence: Sui Jianguo, Earthly Force. Representing the Ordinary: Yu Fan, My Mother --
pt. 2. Ruins. Rotten Red: Cai Jin, Beauty Banana Plant No. 48. Fragmentation as Creation: Shi Chong, The Stage. Human Waste: Yuan Dongping, Sisters. Speaking the Unspeakable: Zhang Huan, 12 Square Meters. Demolition Project: Zhan Wang, Temptation. Ruin Pictures: Rong Rong, Untitled. Sealed Memory: Yin Xiuzhen, Suitcase --
pt. 3. Transience. Surface: Zhan Wang, Ornamental Rock. State of Being: Zhu Fadong, This Person Is For Sale. Zero Gravity: Yu Hong, Flying. Interior Time/Space: Zeng Hao, 5:00 p.m. in the Afternoon. Translucency: Wang Jin, A Chinese Dream. Fallen Angels: Liu Zheng, Peking Opera Scenes. Invisibility: Qiu Zhijie, Tattoo 1 and 2 --
Coda: A Brief Reflection on the Study of Contemporary Chinese Experimental Art / Edited by Kris Imants Excums --
App. 1. Biographies of the Artists --
App. 2. A Survey of Contemporary Chinese Art.
Responsibility: Wu Hung.
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