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The transparency of the text : contemporary writing for the stage

Author: Donia Mounsef; Josette Féral
Publisher: New Haven, Conn. : Yale University Press, ©2007.
Series: Yale French studies, no. 112.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
This volume is broken down into three parts. The first is called 'Avant and Après Garde', the second '(Under)writing the Stage' and the third 'Disputed Textualities'.
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Genre/Form: Criticism, interpretation, etc
Named Person: Michel Vinaver; Noëlle Renaude; Bernard-Marie Koltès; Noëlle Renaude; Bernard-Marie Koltès; Michel Vinaver
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Donia Mounsef; Josette Féral
ISBN: 9780300118193 0300118198
OCLC Number: 181032042
Description: 174 pages ; 24 cm.
Contents: Editors' preface: The transparency of the text --
Whatever happened to the avant-garde? / Tom Bishop --
Speech in tatters : the interplay of voices in recent dramatic writing / Jean-Pierre Ryngaert --
Drama out-of-bounds : theater of totality / Bernadette Bost --
Myth in contemporary French theater : a negotiable legacy / Ariane Eissen --
Moving across language / Josette Féral --
Michel Vinaver and A la renverse : between writing and staging / David Bradby --
The desire for language, the language of desire in the theater of Bernard-Marie Koltès / Donia Mounsef --
Voix, voie, vie : the voice in contemporary French theater / Clare Finburgh --
L'art de l'écrit s'incarnant : the theater of Noëlle Renaude / Mary Noonan --
Is there a specifically Francophone African stage textuality? / Judith G. Miller --
Contemporary Francophone drama : between detours and deviations / Sylvie Chalaye --
Lost in translation, or, Why French-language plays are not often seen on American stages / Philippa Wehle.
Series Title: Yale French studies, no. 112.
Responsibility: [Donia Mounsef and Josette Féral, special editors for this issue].

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Editors' Preface: The Transparency of the Text  Read more...

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"[T]he articles ... map a clear path through the complexities of contemporary French-language writing for the stage. Most important of all is the way in which the volume prompts the reader to seek Read more...

 
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