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Trauma and its representations : the social life of mimesis in post-revolutionary France

Author: Deborah Jenson
Publisher: Baltimore, Md. : Johns Hopkins University Press, 2001.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Database:WorldCat
Summary:
The author argues that mimesis not only denotes the representation of reality, but is also a crucial concept for understanding the production of social meaning within specific historical concepts.
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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Jenson, Deborah.
Trauma and its representations.
Baltimore, Md. : Johns Hopkins University Press, 2001
(DLC) 00012618
(OCoLC)45493343
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Deborah Jenson
ISBN: 0801876176 9780801876172 0801867231 9780801867231
OCLC Number: 51504391
Reproduction Notes: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Description: 1 online resource (x, 294 pages)
Details: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Contents: Iconoclasm : setting wounds in stone at the Musee des monuments français (1795-1816) --
Transpositionality : the political gets personal in Constant's Cécile --
Plagiarism : Duras, Desbordes-Valmore, and the scandalous potency of the woman author --
Harmony : Lamartine's social pain --
Analogy : slavery to duplicity in Sand's Indiana --
Fetishism.
Responsibility: Deborah Jenson.
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Abstract:

The author argues that mimesis not only denotes the representation of reality, but is also a crucial concept for understanding the production of social meaning within specific historical concepts.

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