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Treasures of a lost art : Italian manuscript painting of the Middle Ages and Renaissance

Autore: Pia Palladino; Cleveland Museum of Art.; Fine Arts Museums of San Francisco.; Metropolitan Museum of Art (New York, N.Y.)
Editore: New Haven, Conn. : Metropolitan Museum of Art, Yale University Press, 2003.
Edizione/Formato:   book_printbook : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"Treasures of a Lost Art presents 144 leaves, cuttings, and illuminated manuscript fragments from the collection of Robert Lehman (1891-1969), one of the largest and most impressive private holdings of Italian manuscripts assembled after the First World War. Discussed here - with many of them handsomely illustrated in full color - are important examples of the major schools of illumination in southern Italy, Umbria,  Per saperne di più…
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Dettagli

Genere/forma: Exhibitions
Expositions
Persona incaricata: Robert Lehman; Robert Lehman
Tipo materiale: Risorsa internet
Tipo documento: Book, Internet Resource
Tutti gli autori / Collaboratori: Pia Palladino; Cleveland Museum of Art.; Fine Arts Museums of San Francisco.; Metropolitan Museum of Art (New York, N.Y.)
ISBN: 1588390306 9781588390301 0300098790 9780300098792
Numero OCLC: 50669221
Note: Catalogue of an exhibition held at the Cleveland Museum of Art, Feb. 23-May 4, 2003, Fine Arts Museums of San Francisco, June 7-Aug. 31, 2003, and the Metropolitan Museum of Art, Sept. 30, 2003-Feb. 1, 2004.
Descrizione: vii, 195 pages : illustrations (some color) ; 29 cm
Contenuti: Director's Foreword / Philippe de Montebello --
Introduction / Pia Palladino --
Treasures of a Lost Art / Pia Palladino.
Responsabilità: Pia Palladino.
Maggiori informazioni:

Abstract:

"Treasures of a Lost Art presents 144 leaves, cuttings, and illuminated manuscript fragments from the collection of Robert Lehman (1891-1969), one of the largest and most impressive private holdings of Italian manuscripts assembled after the First World War. Discussed here - with many of them handsomely illustrated in full color - are important examples of the major schools of illumination in southern Italy, Umbria, Tuscany, Emilia, Lombardy, and the Veneto. Previously unpublished, and perhaps even unknown to scholars, are works by some of the foremost Italian painters of the Middle Ages and Renaissance, including a leaf here attributed for the first time to the Sienese master Duccio di Buoninsegna and cuttings by Stefano da Verona and Cosimo Tura. Lesser-known arists, such as Neri da Rimini, Belbello da Pavia, and Girolamo da Cremona, once renowned for their beautifully illuminated volumes, are also discussed in full."--Jacket.

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