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The Tristan chord : Wagner and philosophy

Auteur : Bryan Magee
Éditeur : New York : Metropolitan Books, 2001.
Édition/format :   Livre : Biographie : Anglais : 1st American edVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
"Richard Wagner's wildly enthusiastic devotees have ranged from the most subtle and intelligent minds (Marcel Proust) to the most crudely brutal (Adolf Hitler). The enduring fascination of his works arises not only from his singular fusion of musical innovation and theatrical daring, but also from his largely overlooked engagement with the boldest investigations of modern philosophy.".
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Détails

Personne nommée : Richard Wagner; Richard Wagner; Richard Wagner
Type d’ouvrage : Biographie
Format : Livre
Tous les auteurs / collaborateurs : Bryan Magee
ISBN : 0805067884 9780805067880
Numéro OCLC : 48474343
Notes : Originally published: Wagner and philosophy. London : Penguin Press, 2000.
Includes index.
Description : xi, 397 p., [8] p. of plates : ill. ; 25 cm.
Contenu : First the music --
Wagner as a young German --
Wagner the Left-wing revolutionary --
Wagner, Feuerbach and the future --
Wagner's misleading reputation --
Opera as Greek drama --
Some of The Ring's leading ideas --
Wagner's discovery of Schopenhauer --
The philosophy of Schopenhauer --
Wagner re-evaluates his values --
The turn --
Metaphysics as music --
Philosophy as opera --
Music as drama --
First the orchestra --
The crowning achievement --
Wagner and Nietzsche --
Appendix: Wagner's anti-semitism.
Autres titres : Wagner and philosophy
Responsabilité : Bryan Magee.
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Résumé :

"Richard Wagner's wildly enthusiastic devotees have ranged from the most subtle and intelligent minds (Marcel Proust) to the most crudely brutal (Adolf Hitler). The enduring fascination of his works arises not only from his singular fusion of musical innovation and theatrical daring, but also from his largely overlooked engagement with the boldest investigations of modern philosophy.".

"Now, in this book, Bryan Magee, a distinguished Wagnerian and a teacher of philosophy, traces the composer's involvement in the intellectual guests of his age, from his youthful embrace of revolutionary socialism, to a Schopenhauerian rejection of the world as illusion, to the near-Buddhist resignation of his final years. Mapping the influence of ideas on Wagner's art, Magee shows how abstract thought can permeate musical work and stimulate creations of great power and beauty. With sympathy and perception, he explores the relationship between words and music, mind and feeling, conscious and unconscious motivations.

And he unflinchingly confronts the Wagner whose paranoia, egocentricity, and anti-Semitism are as repugnant as his achievements are glorious."--BOOK JACKET.

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Données liées


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