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The Tristan chord : Wagner and philosophy

저자: Bryan Magee
출판사: New York : Metropolitan Books, 2001.
판/형식:   도서 : 전기 : 영어 : 1st American ed모든 판과 형식 보기
데이터베이스:WorldCat
요약:
"Richard Wagner's wildly enthusiastic devotees have ranged from the most subtle and intelligent minds (Marcel Proust) to the most crudely brutal (Adolf Hitler). The enduring fascination of his works arises not only from his singular fusion of musical innovation and theatrical daring, but also from his largely overlooked engagement with the boldest investigations of modern philosophy.".
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상세정보

명시된 사람: Richard Wagner; Richard Wagner; Richard Wagner
자료 유형: 전기
문서 형식:
모든 저자 / 참여자: Bryan Magee
ISBN: 0805067884 9780805067880
OCLC 번호: 48474343
메모: Originally published: Wagner and philosophy. London : Penguin Press, 2000.
Includes index.
설명: xi, 397 p., [8] p. of plates : ill. ; 25 cm.
내용: First the music --
Wagner as a young German --
Wagner the Left-wing revolutionary --
Wagner, Feuerbach and the future --
Wagner's misleading reputation --
Opera as Greek drama --
Some of The Ring's leading ideas --
Wagner's discovery of Schopenhauer --
The philosophy of Schopenhauer --
Wagner re-evaluates his values --
The turn --
Metaphysics as music --
Philosophy as opera --
Music as drama --
First the orchestra --
The crowning achievement --
Wagner and Nietzsche --
Appendix: Wagner's anti-semitism.
다른 제목 Wagner and philosophy
책임: Bryan Magee.
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초록:

"Richard Wagner's wildly enthusiastic devotees have ranged from the most subtle and intelligent minds (Marcel Proust) to the most crudely brutal (Adolf Hitler). The enduring fascination of his works arises not only from his singular fusion of musical innovation and theatrical daring, but also from his largely overlooked engagement with the boldest investigations of modern philosophy.".

"Now, in this book, Bryan Magee, a distinguished Wagnerian and a teacher of philosophy, traces the composer's involvement in the intellectual guests of his age, from his youthful embrace of revolutionary socialism, to a Schopenhauerian rejection of the world as illusion, to the near-Buddhist resignation of his final years. Mapping the influence of ideas on Wagner's art, Magee shows how abstract thought can permeate musical work and stimulate creations of great power and beauty. With sympathy and perception, he explores the relationship between words and music, mind and feeling, conscious and unconscious motivations.

And he unflinchingly confronts the Wagner whose paranoia, egocentricity, and anti-Semitism are as repugnant as his achievements are glorious."--BOOK JACKET.

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