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Troy Kennedy Martin

Author: Lez Cooke; Jonathan Bignell; Sarah Cardwell; Steven Peacock
Publisher: Manchester : Manchester University Press, 2013.
Series: The Television Series MUP.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Database:WorldCat
Summary:
This is the first full-length study of the screenwriter Troy Kennedy Martin, whose work for film and television includes Z Cars, The Italian Job, Kelly's Heroes, The Sweeney, Reilly - Ace of Spies and Edge of Darkness. With a career spanning six decades Troy Kennedy Martin has seen the rise and fall of the television dramatist, making his debut in the era of studio-based television drama in the late 1950s prior to  Read more...
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Details

Genre/Form: Electronic books
Additional Physical Format: Print version:
Cooke, Lez
Troy Kennedy Martin
Manchester : Manchester University Press,c2013
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Lez Cooke; Jonathan Bignell; Sarah Cardwell; Steven Peacock
ISBN: 9781847794741 1847794742
OCLC Number: 960165397
Notes: Description based upon print version of record.
Description: 1 online resource (209 p.)
Contents: Copyright; Contents; General editors' preface; Acknowledgements; Introduction; 1. Biographical sketch; 2. Single plays; 3. Experiments in television drama; 4. Drama series; 5. Drama serials; 6. The hostile waters of Britishtelevision in a deregulated age; Appendix: list of television programmes,feature fi lms, unproduced scripts andscreenplays, awards and publications; References; Index
Series Title: The Television Series MUP.

Abstract:

This is the first full-length study of the screenwriter Troy Kennedy Martin, whose work for film and television includes Z Cars, The Italian Job, Kelly's Heroes, The Sweeney, Reilly - Ace of Spies and Edge of Darkness. With a career spanning six decades Troy Kennedy Martin has seen the rise and fall of the television dramatist, making his debut in the era of studio-based television drama in the late 1950s prior to the transition to filmed drama (for which he argued in a famous manifesto) as the television play was gradually replaced by popular series and serials, for which Kennedy Martin did s.

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