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Le tumulte noir : modernist art and popular entertainment in Jazz-Age Paris, 1900-1930
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Le tumulte noir : modernist art and popular entertainment in Jazz-Age Paris, 1900-1930

著者: Jody Blake
出版商: University Park, Pa. : Pennsylvania State University Press, ©1999.
版本/格式:   图书 : 州政府或者省政府刊物 : 英语查看所有的版本和格式
提要:
Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in  再读一些...
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详细书目

附加的形体格式: Online version:
Blake, Jody, 1953-
Tumulte noir.
University Park, Pa. : Pennsylvania State University Press, c1999
(OCoLC)607354453
材料类型: 政府刊物, 州政府或者省政府刊物
文件类型:
所有的著者/提供者: Jody Blake
ISBN: 0271017538 9780271017532
OCLC号码: 59381630
描述: viii, 207 p., 8 p. of plates : ill. (some col.) ; 29 cm.
内容: Introduction: Sitting In on a Popular Revolution --
1. Taking the Cake: The First Steps of Primitivism in Modernist Art --
2. Tam-Tam in the Urban Jungle: Orphism, Unanimism, Futurism --
3. Ragging the War: Dada --
4. Bamboula in the Temple of Auguste Perret: The Call to Order --
5. Jamming on the Rue Fontaine: Surrealism --
6. Toeing the Line: Purism --
Postscript: Playing Down le Tumulte noir.
责任: Jody Blake.

摘要:

Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.

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