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Uccellacci e uccellini

Verfasser/in: Pier Paolo PasoliniAlfredo BiniTotòNinetto DavoliFemi BenussiAlle Autoren
Verlag: [New York, N.Y.] : Water Bearer Films, ©2003.
Serien: Pier Paolo Pasolini collection, v. 2.
Ausgabe/Format   DVD-Video : Italienisch : Wide screen formatAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
Pasolini uses a comic crow, which philosophizes amusingly and pointedly about the passing scene as a counter point to the performers, representing humanity, as they progress down the road of life, caught between the Church and Marxism.
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Gattung/Form: Motion pictures, Italian
Feature films
Foreign language films
Comedy films
Drama
Fiction films
Medientyp: Videoaufnahme
Dokumenttyp: Bildmaterial
Alle Autoren: Pier Paolo Pasolini; Alfredo Bini; Totò; Ninetto Davoli; Femi Benussi; Umberto Bevilacqua; Renato Capogna; Alfredo Leggi; Renato Montalbano; Lena Lin Solaro; Tonino Delli Colli; Mario Bernardo; Nino Baragli; Ennio Morricone; Water Bearer Films (Firm)
OCLC-Nummer: 53002039
Sprachhinweis: In Italian with English subtitles.
Anmerkungen: Originally released as a motion picture in 1966.
Special feature: Documentary "Pier Paolo Pasolini."
Mitwirkende: Story and script, Pier Paolo Pasolini ; directors of photography, Tonino Delli Colli, Mario Bernardo ; art director, Luigi Seaccianoce ; costumes, Danilo Danati ; editor, Nino Baragli ; sound, Pietro Ortolani ; music, Ennio Morricone ; producer, Alfredo Bini ; production manager, Fernando Franchi.
Darsteller: Totò, Ninetto Davoli, Femi Benussi, Umberto Bevilacqua, Renato Capogna, Alfredo Leggi, Renato Montalbano, Rossana Di Rocco, Lena Lin Solaro.
Beschreibung: 1 videodisc (88 min.) : sound, black and white ; 4 3/4 in.
Details: DVD; widescreen presentation.
Serientitel: Pier Paolo Pasolini collection, v. 2.
Andere Titel Hawks and the sparrows
Verfasserangabe: Alfredo Bini presenta ; raccontata da Pier Paolo Pasolini ; producendo rischiò la sua posizione, Alfredo Bini ; dirigendo rischiò la reputazione, Pier Paolo Pasolini.

Abstract:

Pasolini uses a comic crow, which philosophizes amusingly and pointedly about the passing scene as a counter point to the performers, representing humanity, as they progress down the road of life, caught between the Church and Marxism.

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Primary Entity

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