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Uccellacci e uccellini

Autore: Pier Paolo PasoliniAlfredo BiniTotòNinetto DavoliFemi BenussiTutti gli autori
Editore: [New York, N.Y.] : Water Bearer Films, ©2003.
Serie: Pier Paolo Pasolini collection, v. 2.
Edizione/Formato:   Video DVD : Italian : Wide screen formatVedi tutte le edizioni e i formati
Sommario:
Pasolini uses a comic crow, which philosophizes amusingly and pointedly about the passing scene as a counter point to the performers, representing humanity, as they progress down the road of life, caught between the Church and Marxism.
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Dettagli

Genere/forma: Feature films
Foreign language films
Comedy films
Drama
Fiction films
Tipo materiale: Videorecording
Tipo documento Materiale visivo
Tutti gli autori / Collaboratori: Pier Paolo Pasolini; Alfredo Bini; Totò; Ninetto Davoli; Femi Benussi; Umberto Bevilacqua; Renato Capogna; Alfredo Leggi; Renato Montalbano; Lena Lin Solaro; Tonino Delli Colli; Mario Bernardo; Nino Baragli; Ennio Morricone; Water Bearer Films (Firm)
Numero OCLC: 53002039
Nota sulla lingua: In Italian with English subtitles.
Note: Originally released as a motion picture in 1966.
Special feature: Documentary "Pier Paolo Pasolini."
Riconoscimenti: Story and script, Pier Paolo Pasolini ; directors of photography, Tonino Delli Colli, Mario Bernardo ; art director, Luigi Seaccianoce ; costumes, Danilo Danati ; editor, Nino Baragli ; sound, Pietro Ortolani ; music, Ennio Morricone ; producer, Alfredo Bini ; production manager, Fernando Franchi.
Distribuzione: Totò, Ninetto Davoli, Femi Benussi, Umberto Bevilacqua, Renato Capogna, Alfredo Leggi, Renato Montalbano, Rossana Di Rocco, Lena Lin Solaro.
Descrizione: 1 videodisc (88 min.) : sound, black and white ; 4 3/4 in.
Dettagli: DVD; widescreen presentation.
Titolo della serie: Pier Paolo Pasolini collection, v. 2.
Altri titoli: Hawks and the sparrows
Responsabilità: Alfredo Bini presenta ; raccontata da Pier Paolo Pasolini ; producendo rischiò la sua posizione, Alfredo Bini ; dirigendo rischiò la reputazione, Pier Paolo Pasolini.

Abstract:

Pasolini uses a comic crow, which philosophizes amusingly and pointedly about the passing scene as a counter point to the performers, representing humanity, as they progress down the road of life, caught between the Church and Marxism.

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