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The unanswered question : Norton lectures 1973

Author: Leonard BernsteinClark SanteeDouglas SmithRené KolloTom KrauseAll authors
Publisher: West Long Branch, N.J. : Kultur, [2001], ©1992.
Edition/Format:   DVD video : NTSC color broadcast system : EnglishView all editions and formats
Database:WorldCat
Summary:
In these lectures Leonard Bernstein examines music from every age and place in the search for a worldwide, innate musical grammar. Includes performances with the Boston Symphony Orchestra and the Vienna Philharmonic.

Lecture 1. Musical phonology: "Explores the origins and development of music and language, with a performance of Mozart's Symphony No. 40 in g minor; K. 500" -- Back of container.

Lecture 2. Musical syntax: "Compares the structures of music and speech, and discusses the multiple transformations of which both are capable, with examples from Mozart: Symphony No. 40 in g minor, K. 550" -- Back of container.

Lecture 3. Musical semantics: "Demonstrates layers of meaning in Beethoven's Symphony No. 6 in F Major, op. 68" -- Back of container.

Lecture 4. The Delights and Dangers of Ambiguity: "Explorations of new tonal fields by composers of the Romantic era." -- Back of container.

Lecture 5. The Twentieth Century Crisis: "Arnold Schoenberg's movement toward atonality and Gustav Mahler's anticipation of the crisis in twentieth-century music." -- Back of container.

Lecture 6. The poetry of Earth: "Examines how Igor Stravinsky kept tonality viable while experimenting freely with dissonance." -- Back of container.  Read more...

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Details

Genre/Form: Filmed lectures
Filmed performances
Nonfiction films
Criticism, interpretation, etc
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: Leonard Bernstein; Clark Santee; Douglas Smith; René Kollo; Tom Krause; Ezio Flagello; Tatiana Troyanos; David Evitts; Frank Hoffmeister, (Tenor); Michael Wager; Wolfgang Amadeus Mozart; Ludwig van Beethoven; Hector Berlioz; Richard Wagner; Claude Debussy; Charles Ives; Maurice Ravel; Gustav Mahler; Igor Stravinsky; Amberson Productions.; WGBH (Television station : Boston, Mass.); Boston Symphony Orchestra.; Harvard Glee Club.; Wiener Philharmoniker.; Kultur International Films.
ISBN: 0769715702 9780769715704 076971451X 9780769714516 0769714536 9780769714530 0769714552 9780769714554
OCLC Number: 49817552
Credits: Producer, Douglas Smith ; written by Leonard Bernstein.
Performer(s): Boston Symphony Orchestra ; Vienna Philharmonic (in lecture 5) ; Leonard Bernstein, conductor ; Lecture 6: René Kollo (Oedipus) ; Ezio Flagello (Creon) ; Tatiana Troyanos (Jocasta) ; David Evitts (Messenger) ; Frank Hoffmeiser (Shepherd) ; Michael Wager (Speaker) ; Harvard Glee Club.
Event notes: Lectures recorded by Amberson Video in cooperation with WGBH, Boston at Harvard University, 1973.
Description: 6 videodiscs (793 min.) : sd., col. ; 4 3/4 in.
Details: DVD video; Dolby digital sound, orchestral performances in stereo ; full screen (4:3) ; NTSC ; region 1.
Contents: Lecture 1. Musical phonology (104 min.) : Beginning/introduction --
Musical grammar --
Overview of linguistics --
A common origin --
Heightened speech --
The harmonic series --
Tempered tones --
Universals --
Musical monogenesis --
The golden age --
Diatonic containment --
Mozart's symphony no. 40 in g minor, K.550. Molto allegro --
Andante - Menuetto: allegretto-trio - Allegro assai --
Conclusion. Lecture 2. Musical syntax (95 min.) : Beginning/introduction --
Chromsky's universal grammar --
Verbal and musical correspondences --
Interdisciplinary terms --
Transformational grammar --
Musical analogies --
Poetry: a true parallel with music --
Musical prose --
Surface structure --
Mozart's symphony no. 40 in g minor K.550 performed for 21 bars showing the "surface structure" --
Deep structure --
Symmetry --
Bar-by-bar accentuation --
Structural ambiguities --
Review of entire first movement of Mozart's symphony no. 40 in g minor K.550 --
Conclusion. Lecture 3. Musical semantics (104 min.) : Beginning/introduction --
Semantic ambiguity --
Musical metaphor --
Musical semantics --
What does music mean? --
Musical equivalent for figures of speech --
Repetition --
Analysis of Beethoven's Pastorale Symphony --
Transforming repetition into metaphor --
Varied repetitions --
Beethoven symphony no. 6 in F major. I. Allegro ma non troppo - II. Andante molto mosso - III. Allegro, IV. Allegro, V. Allegretto --
Conclusion. Lecture 4. The delights and dangers of ambiguity (142 min.) : Beginning/introduction --
Defining ambiguity --
Beethoven and the increase of ambiguity --
Ambiguity and the Romantic revolution --
Chromaticism --
Chromatic ambiguity --
Berlioz: Romeo alone: festivities in Capulet's palace from Romeo and Juliet --
Berlioz and Wagner --
The growth of tonal language --
Wagner: prelude and Liebestod from Tristan und Isolde --
The brink of radical change --
Toward total ambiguity --
Debussy: prelude a l'apres midi d'un faune --
Conclusion. Lecture 5. The twentieth century crisis (133 min.) : Beginning/introduction --
Ravel: Rapsodie Espagnole, Mvt. 4 (Feria) --
The crisis in musical semantics --
The renunciation of tonality --
Ives' The unanswered question --
The dilemma of the new century --
The twelve tone method --
Atonality and tonality --
Is music ultimately tonal? --
Negative and positive ambiguity --
Berg: Violin concerto - excerpt --
Mahler's prophetic visions --
Mahler's farewell --
Mahler: Symphony no. 9 in D major, mvt. 4. Lecture 6. The poetry of Earth (177 min.) : Beginning/ introduction --
Art and artificiality --
Objectivity and expression --
New tonal dissonances --
Stravinsky's asymmetrical structures --
Old and new vernaculars --
Stravinsky's neoclassicism --
Neoclassicism in poetry --
Abstract semantics --
The sense of the absurd --
Analysis of Oedipus Rex --
Stravinsky: Oedipus Rex --
Conclusion.
Other Titles: Musical phonology.
Musical syntax.
Musical semantics.
Delights and dangers of ambiguity.
Twentieth century crisis.
Poetry of Earth.
Unanswered question :
Six talks at Harvard
Leonard Bernstein at Harvard
Norton lectures 1973
Charles Eliot Norton lectures.
Responsibility: [lectures] written by Leonard Bernstein ; an Amberson Video production in cooperation with WGBH, Boston ; Douglas Smith, producer ; Clark Santee, director

Abstract:

In these lectures Leonard Bernstein examines music from every age and place in the search for a worldwide, innate musical grammar. Includes performances with the Boston Symphony Orchestra and the Vienna Philharmonic.

Lecture 1. Musical phonology: "Explores the origins and development of music and language, with a performance of Mozart's Symphony No. 40 in g minor; K. 500" -- Back of container.

Lecture 2. Musical syntax: "Compares the structures of music and speech, and discusses the multiple transformations of which both are capable, with examples from Mozart: Symphony No. 40 in g minor, K. 550" -- Back of container.

Lecture 3. Musical semantics: "Demonstrates layers of meaning in Beethoven's Symphony No. 6 in F Major, op. 68" -- Back of container.

Lecture 4. The Delights and Dangers of Ambiguity: "Explorations of new tonal fields by composers of the Romantic era." -- Back of container.

Lecture 5. The Twentieth Century Crisis: "Arnold Schoenberg's movement toward atonality and Gustav Mahler's anticipation of the crisis in twentieth-century music." -- Back of container.

Lecture 6. The poetry of Earth: "Examines how Igor Stravinsky kept tonality viable while experimenting freely with dissonance." -- Back of container.

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    a schema:Organization ;
    schema:name "WGBH (Television station : Boston, Mass.)" ;
    .

<http://viaf.org/viaf/133619596> # Boston Symphony Orchestra.
    a schema:Organization ;
    schema:name "Boston Symphony Orchestra." ;
    .

<http://viaf.org/viaf/135483665> # Harvard Glee Club.
    a schema:Organization ;
    schema:name "Harvard Glee Club." ;
    .

<http://viaf.org/viaf/17309155> # Igor Stravinsky
    a schema:Person ;
    schema:birthDate "1882" ;
    schema:deathDate "1971" ;
    schema:familyName "Stravinsky" ;
    schema:givenName "Igor" ;
    schema:name "Igor Stravinsky" ;
    .

<http://viaf.org/viaf/263204506> # Wiener Philharmoniker.
    a schema:Organization ;
    schema:name "Wiener Philharmoniker." ;
    .

<http://viaf.org/viaf/2657495> # Maurice Ravel
    a schema:Person ;
    schema:birthDate "1875" ;
    schema:deathDate "1937" ;
    schema:familyName "Ravel" ;
    schema:givenName "Maurice" ;
    schema:name "Maurice Ravel" ;
    .

<http://viaf.org/viaf/40431220> # David Evitts
    a schema:Person ;
    schema:familyName "Evitts" ;
    schema:givenName "David" ;
    schema:name "David Evitts" ;
    .

<http://viaf.org/viaf/71577105> # Hector Berlioz
    a schema:Person ;
    schema:birthDate "1803" ;
    schema:deathDate "1869" ;
    schema:familyName "Berlioz" ;
    schema:givenName "Hector" ;
    schema:name "Hector Berlioz" ;
    .

<http://viaf.org/viaf/71577114> # Leonard Bernstein
    a schema:Person ;
    schema:birthDate "1918" ;
    schema:deathDate "1990" ;
    schema:familyName "Bernstein" ;
    schema:givenName "Leonard" ;
    schema:name "Leonard Bernstein" ;
    .

<http://worldcat.org/isbn/9780769714516>
    a schema:ProductModel ;
    schema:description "lectures 1-2" ;
    schema:isbn "076971451X" ;
    schema:isbn "9780769714516" ;
    .

<http://worldcat.org/isbn/9780769714530>
    a schema:ProductModel ;
    schema:description "lectures 3-4" ;
    schema:isbn "0769714536" ;
    schema:isbn "9780769714530" ;
    .

<http://worldcat.org/isbn/9780769714554>
    a schema:ProductModel ;
    schema:description "lectures 5-6" ;
    schema:isbn "0769714552" ;
    schema:isbn "9780769714554" ;
    .

<http://worldcat.org/isbn/9780769715704>
    a schema:ProductModel ;
    schema:isbn "0769715702" ;
    schema:isbn "9780769715704" ;
    .


Content-negotiable representations

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