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Uncanny spectacle : the public career of the young John Singer Sargent

Author: Marc Simpson; John Singer Sargent; Richard Ormond; H Barbara Weinberg; Sterling and Francine Clark Art Institute.
Publisher: New Haven, Conn. : Yale University Press ; Williamstown, Mass. : Sterling and Francine Clark Art Institute, 1997.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
This book explores how the young American painter in just over a decade jumped from apprenticeship to wide acclaim, how he presented himself and his works, and how he sought to shape public perception of his talent. The book includes illustrations of almost every painting Sargent exhibited in Paris, London, and New York through 1887. Drawing on the correspondence of the artist, his friends, and his family, as well
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Genre/Form: Exhibition catalogs
Exhibitions
Named Person: John Singer Sargent; John Singer Sargent; John Singer Sargent; John Singer Sargent; John Singer Sargent
Document Type: Book
All Authors / Contributors: Marc Simpson; John Singer Sargent; Richard Ormond; H Barbara Weinberg; Sterling and Francine Clark Art Institute.
ISBN: 0300071779 9780300071771 0931102383 9780931102387
OCLC Number: 36372372
Notes: Published to accompany the exhibition of the same title held at the Sterling and Francine Clark Art Institute, June 20-Sept. 14, 1997.
Description: xiii, 192 pages : illustrations (some color) ; 29 cm
Contents: Foreword / Michael Conforti --
Introduction / Richard Ormond --
Sargent and Carolus-Duran / H. Barbara Weinberg --
Sargent and His Critics / Marc Simpson --
Catalogue / Marc Simpson. hing and Experimentation, 1877-1880. "Away for Venice," 1880-1882. "Crispation de Nerfs" 1880-1887. Appendix: Sargent's Exhibition History, 1877-1887.
Responsibility: Marc Simpson ; with Richard Ormond & H. Barbara Weinberg.

Abstract:

This book explores how the young American painter in just over a decade jumped from apprenticeship to wide acclaim, how he presented himself and his works, and how he sought to shape public perception of his talent. The book includes illustrations of almost every painting Sargent exhibited in Paris, London, and New York through 1887. Drawing on the correspondence of the artist, his friends, and his family, as well as an extensive review of contemporary critical responses, the text examines these works of Sargent's early maturity - some not exhibited in this century and others among his best-known work, including Carnation, Lily, Lily, Rose and Madame X.

The authors contend the canvases present a fresh view of Sargent's aspirations and ambitions, representing a metaphoric self-portrait of the artist as a young man. The early paintings, their relationship to one another, and their reception also shed light on the complex, cosmopolitan art world in which Sargent lived.

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