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Uncle Tom's cabin

Autor: Harriet Beecher Stowe; Jean Fagan Yellin
Editora: Oxford ; New York : Oxford University Press, 1998.
Séries: Oxford world's classics (Oxford University Press)
Edição/Formato   e-book : Ficção : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
Labeled racist and condescending by some contemporary critics, this novel remains a shocking, controversial, and powerful work that exposes the attitudes of white 19th century society toward the institution of slavery.
Classificação:

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Detalhes

Gênero/Forma: Political fiction
Electronic books
Didactic fiction
Fiction
Formato Físico Adicional: Print version:
Stowe, Harriet Beecher, 1811-1896.
Uncle Tom's cabin.
Oxford ; New York : Oxford University Press, 1998
(DLC) 97030894
(OCoLC)37398024
Tipo de Material: Ficção, Recurso Internet
Tipo de Documento: Recurso Internet, Arquivo de Computador
Todos os Autores / Contribuintes: Harriet Beecher Stowe; Jean Fagan Yellin
ISBN: 9780191561528 0191561525 058536396X 9780585363967
Número OCLC: 47011488
Descrição: 1 online resource (xxxiv, 536 pages).
Conteúdos: Chronology of Harriet Beecher Stowe's life and work --
Historical context of Uncle Tom's Cabin --
Interpretive notes --
Critical excerpts.
Título da Série: Oxford world's classics (Oxford University Press)
Responsabilidade: Harriet Beecher Stowe ; edited with an introduction and notes by Jean Fagan Yellin.

Resumo:

Labeled racist and condescending by some contemporary critics, this novel remains a shocking, controversial, and powerful work that exposes the attitudes of white 19th century society toward the institution of slavery.

Uncle Tom's Cabin charts the progress from slavery to freedom of fugitives who escape the chains of slavery, and of a martyr who transcends all earthly ties. This edition firmly locates the novel within the context of African-American writing, the issues of race, and the role of women. Its appendices include the most important contemporary African-American literary responses to the glorification of Uncle Tom's Christian resignation as well as excerpts from popular slave narratives, quoted by Stowe in her justification of the dramatization of slavery, Key to Uncle Tom's Cabin.

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