컨텐츠로 이동
Underground 해당 항목을 미리보기
닫기해당 항목을 미리보기
확인중입니다…

Underground

저자: Haruki Murakami; Alfred Birnbaum; Philip Gabriel
출판사: New York : Vintage International, 2001.
판/형식:   도서 : 영어 : 1st Vintage international ed모든 판과 형식 보기
데이터베이스:WorldCat
요약:
Covers the 1995 Tokyo Gas Attack, during which agents of a Japanese cult released a gas deadlier than cyanide into the subway system, as documented in interviews with its survivors, perpetrators, and victim family members. In March 1995, agents of a Japanese religious cult attacked the Tokyo subway system with sarin, a gas twenty six times as deadly as cyanide. Attempting to discover why, Murakami conducted hundreds  더 읽기…
평가:

(아무런 평가가 없습니다.) 0 리뷰와 함께 - 첫번째로 올려주세요.

주제
다음과 같습니다:

 

도서관에서 사본 찾기

&AllPage.SpinnerRetrieving; 해당항목을 보유하고 있는 도서관을 찾는 중

상세정보

자료 유형: 인터넷 자료
문서 형식: 책, 인터넷 자원
모든 저자 / 참여자: Haruki Murakami; Alfred Birnbaum; Philip Gabriel
ISBN: 0375725806 9780375725807
OCLC 번호: 45620755
설명: x, 366 p., map ; 21 cm.
내용: Map of the Tokyo subway: Underground: Tokyo Metropolitan Subway: Chiyoda line: Nobody was dealing with things calmly / Kiyoka Izumi --
I've been here since I first joined / Masaru Yuasa --
At that point Takahashi was still alive / Minoru Miyata --
I'm not a sarin victim, I'm a survivor / Toshiaki Toyoda --
It's not even whether or not to take the subway, just to go out walking scares me now / Tomoko Takatsuki --
Day after the gas attack, I asked my wife for a divorce / Mitsuteru Izutsu --
Luckily I was dozing off / Aya Kazagucchi --
Everyone loves a scandal / Hideki Sono --
Tokyo Metropolitan Subway: Marunouchi line (destination: Ogikubo): I felt like I was watching a program on TV / Mitsuo Arima --
Looking back, it all started because the bus was two minutes early / Kenji Ohashi --
That day and that day only I took the first door / Soichi Inagawa --
If I hadn't been there, somebody else would have picked up the packets / Sumio Nishimura --
I was in pain, yet I still bought my milk as usual / Koichi Sakata --
Night before the gas attack, the family was saying over dinner, "My, how lucky we are" / Tatsuo Akashi --
"Li-yu-nii-an (Disneyland)" / Shizuko Akashi --
Tokyo Metropolitan Subway: Marunouchi line (destination: Ikebukuro): "What can that be?" I thought / Shintaro Komada --
I knew it was sarin / Ikuko Nakayama --
Tokyo Metropolitan Subway: Hibiya line (departing: Naka-meguro): "What if you never see your grandchild's face?" / Hiroshige Sugazaki --
I had some knowledge of sarin / Kozo Ishiro --
I kept shouting, "Please, please, please!" in Japanese / Michael Kennedy --
That kind of fright is something you never forget / Yoko Lizuka --
Tokyo Metropolitan Subway: Hibiya line (departing: Kita-senju; destination: Naka-meguro): I'd borrowed the down payment, and my wife was expecting-it looked pretty bad / Nuburu Terajima --
In a situation like that the emergency services aren't much help at all / Masanori Okuyama --
Ride the trains every day and you know what regular air / Michiaki --
Tokyo Metropolitan Subway: Hibiya line: Some crazy's probably sprinkled pesticides or something / Takanori Ichiba --
We'll never make it. If we wait for the ambulance we're done for / Naoyuki Ogata --
It'd be pathetic to die like this / Michiru Kono --
Day of the gas attack was my sixty-fifth birthday / Kei'ichi Ishikura --
Tokyo Metropolitan Subway: Kodemmach Station: I saw his face and thought: "I've seen this character somewhere" / Ken'ichi Yamazaki --
He was such a kind person. He seemed to get even kinder before he died / Yoshiko Wada --
He was an undemanding child / Kichiro; Sanae Wada --
Sarin! Sarin! / Koichiro Makita --
Very first thing that came to mind was poison gas-cyanide or sarin / Dr. Toru Saito --
There is no prompt and efficient system in Japan for dealing with a major catastrophe / Dr. Nobuo Yanagisawa --
Blind nightmare: Where are we Japanese going? --
Place that was promised: I'm still in Aum / Hiroyuki Kano --
Nostradamus had a great influence on my generation / Akio Namimura --
Each individual has his own image of the Master / Mitsuharu Inaba --
This was like an experiment using human beings / Hajime Masutani --
In my previous life I was a man / Miyuki Kanda --
"If I stay here," I thought, "I'm going to die" / Shin'ichi Hosoi --
Asahara tried to force me to have sex with him / Harumi Iwakura --
No matter how grotesque a figure Asahara appears, I can't just dismiss him / Hidetishi Takahashi.
다른 제목 Andāguraundo.
Tokyo gas attack and the Japanese psyche
책임: Haruki Murakami ; translated from the Japanese by Alfred Birnbaum and Philip Gabriel.
더 많은 정보:

초록:

Covers the 1995 Tokyo Gas Attack, during which agents of a Japanese cult released a gas deadlier than cyanide into the subway system, as documented in interviews with its survivors, perpetrators, and victim family members. In March 1995, agents of a Japanese religious cult attacked the Tokyo subway system with sarin, a gas twenty six times as deadly as cyanide. Attempting to discover why, Murakami conducted hundreds of interviews with the people involved, from the survivors to the perpetrators to the relatives of those who died. Underground is their story in their own voices. Concerned with the fundamental issues that led to the attack as well as these personal accounts, Underground is a document of what happened in Tokyo as well as a warning of what could happen anywhere. This is an enthralling and unique work of nonfiction that is timely, vital, and as brilliantly executed as Murakami's novels. From Haruki Murakami, internationally acclaimed author of the Wind-Up Bird Chronicle and Norwegian Wood, a work of literary journalism that is as fascinating as it is necessary, as provocative as it is profound. It was a clear spring day, Monday, March 20, 1995, when five members of the religious cult Aum Shinrikyo conducted chemical warfare on the Tokyo subway system using sarin, a poison gas twenty-six times as deadly as cyanide. The unthinkable had happened; a major urban transit system had become the target of a terrorist attack. Attempting to discover why, Murakami conducted hundreds of interviews with the people involved, from a subway authority employee with survivor guilt, to a fashion salesman with more venom for the media than for the perpetrators, to a young cult member who vehemently condemns the attack though he has not quit Aum. Through these and many other voices, Murakami exposes intriguing aspects of the Japanese psyche. And, as he discerns the fundamental issues leading to the attack, we achieve a clear vision of an event that could occur anytime, anywhere. Hauntingly compelling and inescapably important, Underground is a powerful work of journalistic literature from one of the world's most perceptive writers. Concerned with the fundamental issues that led to the attack as well as these personal accounts, Underground is a document of what happened in Tokyo as well as a warning of what could happen anywhere. This is an enthralling and unique work of nonfiction that is timely and vital and as wonderfully executed as Murakami's brilliant novels.

리뷰

사용자-기여 리뷰
GoodReads 리뷰 가져오는 중…
DOGObooks 리뷰를 가지고 오는 중…

태그

첫번째 되기

유사 항목

관련 주제:(12)

이 항목을 가지고 있는 사용자 목록 (7)

요청하신 것을 확인하기

이 항목을 이미 요청하셨을 수도 있습니다. 만약 이 요청을 계속해서 진행하시려면 Ok을 선택하세요.

링크된 데이터


<http://www.worldcat.org/oclc/45620755>
bgn:translationOfWork
library:oclcnum"45620755"
library:placeOfPublication
library:placeOfPublication
rdf:typeschema:MediaObject
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:alternateName"Tokyo gas attack and the Japanese psyche"@en
schema:bookEdition"1st Vintage international ed."
schema:contributor
schema:contributor
schema:creator
schema:datePublished"2001"
schema:description"Covers the 1995 Tokyo Gas Attack, during which agents of a Japanese cult released a gas deadlier than cyanide into the subway system, as documented in interviews with its survivors, perpetrators, and victim family members. In March 1995, agents of a Japanese religious cult attacked the Tokyo subway system with sarin, a gas twenty six times as deadly as cyanide. Attempting to discover why, Murakami conducted hundreds of interviews with the people involved, from the survivors to the perpetrators to the relatives of those who died. Underground is their story in their own voices. Concerned with the fundamental issues that led to the attack as well as these personal accounts, Underground is a document of what happened in Tokyo as well as a warning of what could happen anywhere. This is an enthralling and unique work of nonfiction that is timely, vital, and as brilliantly executed as Murakami's novels. From Haruki Murakami, internationally acclaimed author of the Wind-Up Bird Chronicle and Norwegian Wood, a work of literary journalism that is as fascinating as it is necessary, as provocative as it is profound. It was a clear spring day, Monday, March 20, 1995, when five members of the religious cult Aum Shinrikyo conducted chemical warfare on the Tokyo subway system using sarin, a poison gas twenty-six times as deadly as cyanide. The unthinkable had happened; a major urban transit system had become the target of a terrorist attack. Attempting to discover why, Murakami conducted hundreds of interviews with the people involved, from a subway authority employee with survivor guilt, to a fashion salesman with more venom for the media than for the perpetrators, to a young cult member who vehemently condemns the attack though he has not quit Aum. Through these and many other voices, Murakami exposes intriguing aspects of the Japanese psyche. And, as he discerns the fundamental issues leading to the attack, we achieve a clear vision of an event that could occur anytime, anywhere. Hauntingly compelling and inescapably important, Underground is a powerful work of journalistic literature from one of the world's most perceptive writers. Concerned with the fundamental issues that led to the attack as well as these personal accounts, Underground is a document of what happened in Tokyo as well as a warning of what could happen anywhere. This is an enthralling and unique work of nonfiction that is timely and vital and as wonderfully executed as Murakami's brilliant novels."@en
schema:description"Map of the Tokyo subway: Underground: Tokyo Metropolitan Subway: Chiyoda line: Nobody was dealing with things calmly / Kiyoka Izumi -- I've been here since I first joined / Masaru Yuasa -- At that point Takahashi was still alive / Minoru Miyata -- I'm not a sarin victim, I'm a survivor / Toshiaki Toyoda -- It's not even whether or not to take the subway, just to go out walking scares me now / Tomoko Takatsuki -- Day after the gas attack, I asked my wife for a divorce / Mitsuteru Izutsu -- Luckily I was dozing off / Aya Kazagucchi -- Everyone loves a scandal / Hideki Sono -- Tokyo Metropolitan Subway: Marunouchi line (destination: Ogikubo): I felt like I was watching a program on TV / Mitsuo Arima -- Looking back, it all started because the bus was two minutes early / Kenji Ohashi -- That day and that day only I took the first door / Soichi Inagawa -- If I hadn't been there, somebody else would have picked up the packets / Sumio Nishimura -- I was in pain, yet I still bought my milk as usual / Koichi Sakata -- Night before the gas attack, the family was saying over dinner, "My, how lucky we are" / Tatsuo Akashi -- "Li-yu-nii-an (Disneyland)" / Shizuko Akashi -- Tokyo Metropolitan Subway: Marunouchi line (destination: Ikebukuro): "What can that be?" I thought / Shintaro Komada -- I knew it was sarin / Ikuko Nakayama -- Tokyo Metropolitan Subway: Hibiya line (departing: Naka-meguro): "What if you never see your grandchild's face?" / Hiroshige Sugazaki -- I had some knowledge of sarin / Kozo Ishiro -- I kept shouting, "Please, please, please!" in Japanese / Michael Kennedy -- That kind of fright is something you never forget / Yoko Lizuka -- Tokyo Metropolitan Subway: Hibiya line (departing: Kita-senju; destination: Naka-meguro): I'd borrowed the down payment, and my wife was expecting-it looked pretty bad / Nuburu Terajima -- In a situation like that the emergency services aren't much help at all / Masanori Okuyama -- Ride the trains every day and you know what regular air / Michiaki -- Tokyo Metropolitan Subway: Hibiya line: Some crazy's probably sprinkled pesticides or something / Takanori Ichiba -- We'll never make it. If we wait for the ambulance we're done for / Naoyuki Ogata -- It'd be pathetic to die like this / Michiru Kono -- Day of the gas attack was my sixty-fifth birthday / Kei'ichi Ishikura -- Tokyo Metropolitan Subway: Kodemmach Station: I saw his face and thought: "I've seen this character somewhere" / Ken'ichi Yamazaki -- He was such a kind person. He seemed to get even kinder before he died / Yoshiko Wada -- He was an undemanding child / Kichiro; Sanae Wada -- Sarin! Sarin! / Koichiro Makita -- Very first thing that came to mind was poison gas-cyanide or sarin / Dr. Toru Saito -- There is no prompt and efficient system in Japan for dealing with a major catastrophe / Dr. Nobuo Yanagisawa -- Blind nightmare: Where are we Japanese going? -- Place that was promised: I'm still in Aum / Hiroyuki Kano -- Nostradamus had a great influence on my generation / Akio Namimura -- Each individual has his own image of the Master / Mitsuharu Inaba -- This was like an experiment using human beings / Hajime Masutani -- In my previous life I was a man / Miyuki Kanda -- "If I stay here," I thought, "I'm going to die" / Shin'ichi Hosoi -- Asahara tried to force me to have sex with him / Harumi Iwakura -- No matter how grotesque a figure Asahara appears, I can't just dismiss him / Hidetishi Takahashi."@en
schema:exampleOfWork
schema:inLanguage"en"
schema:name"Underground"@en
schema:numberOfPages"366"
schema:publication
schema:publisher
schema:workExample
wdrs:describedby

Content-negotiable representations

윈도우 닫기

WorldCat에 로그인 하십시오 

계정이 없으세요? 아주 간단한 절차를 통하여 무료 계정을 만드실 수 있습니다.