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E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/50694795 Title: Understanding cinema : a psychological theory of moving imagery Author: Per Persson Publisher: Cambridge ; New York : Cambridge University Press, 2003. ISBN/ISSN: 052181328X 9780521813280 OCLC:50694795

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Understanding cinema : a psychological theory of moving imagery

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Understanding cinema : a psychological theory of moving imagery

Author:	Per Persson
Publisher:	Cambridge ; New York : Cambridge University Press, 2003.
Edition/Format:	Book : EnglishView all editions and formats
Rating:	(not yet rated) 0 with reviews - Be the first.

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Material Type:	Internet resource
Document Type:	Book, Internet Resource
All Authors / Contributors:	Per Persson Find more information about:
ISBN:	052181328X 9780521813280
OCLC Number:	50694795
Description:	xi, 281 p. : ill. ; 24 cm.
Contents:	1. Understanding and dispositions -- Psychology: understanding and dispositions -- Parameters of dispositions -- The psychological model of reception -- Discourse and meaning -- Some specifications of the model -- 2. Understanding point-of-view editing -- Historical context of point-of-view editing -- Spatial immersion begins -- Editing between adhacent places: movement -- Editing between adjacent places: gazing -- Functions of point-of-view editing -- Deictic gaze -- The structure deictic-gaze bahavior -- How does point-of-view editing work? -- Explaining the presence of the point-of-view convention in mainstream cinema -- 3. Variable framing and personal space -- Personal space -- Visual media and personal space -- Personal space and variable framing -- Early cinema -- Variable framing in mainstream narrative cinema -- Voyeurism -- 4. Character psychology and mental attribution -- Textual theories of characters -- Reception-based theories of characters -- The psychology of recognition and alignment -- Why Mental States? -- "Subjective Access" versus "Mental Attribution" -- Mental attribution in everyday life -- Mental attribution processes in reception of cinema -- The emotions of cinematic characters -- Text and mental attribution -- The narrativization and psychologization of early cinema psychology as complement?
Responsibility:	Per Persson.
More information:	Sample text Publisher description Table of contents

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