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The unknown Monet : pastels and drawings

著者: James A Ganz; Richard Kendall; Claude Monet; Royal Academy of Arts (Great Britain); Sterling and Francine Clark Art Institute.
出版: Williamstown, Mass. : Sterling and Francine Clark Art Institute ; New Haven : Distributed by Yale University Press, ©2007.
エディション/フォーマット:   書籍 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"Claude Monet (1840-1926) is one of the best-known and most beloved painters in the history of art, with myriad publications and exhibitions devoted to his oeuvre. And yet there remains a previously undiscovered aspect of his career: his surprisingly significant role as a draftsman. This book is the first to focus on Monet's pastels, drawings, and sketchbooks, offering a new interpretation of the artist's life and  続きを読む
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ジャンル/形式: Exhibition catalogs
Exhibitions
Expositions
関連の人物: Claude Monet; Claude Monet; Claude Monet; G W Thornley; Claude Monet
資料の種類: インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: James A Ganz; Richard Kendall; Claude Monet; Royal Academy of Arts (Great Britain); Sterling and Francine Clark Art Institute.
ISBN: 9780300118629 0300118627 9780931102721 0931102723
OCLC No.: 76901859
注記: Catalog of an exhibition at the Royal Academy of Arts, London, Mar. 17-June 10, 2007; and at the Sterling and Francine Clark Art Institute, Williamstown, Mass., June 24-Sept. 16, 2007.
物理形態: xi, 313 p. : ill. (some col.), col. map ; 31 cm.
コンテンツ: Portrait of the artist as a young draftsman --
Oscar Monet, caricaturist --
Encounters with draftsmen, 1859-63 --
Drawing and painting, 1863-66 --
Monet's pastels in public --
Monet's pastels in private --
Rough drafts: the sketchbook drawings --
Drawing for the mass media --
Monet in print --
Lines of color: drawing in the late years --
Appendix: the Thornley-Monet portfolio.
責任者: James A. Ganz and Richard Kendall.
その他の情報:

概要:

Claude Monet (1840-1926) is one of the best-known and most beloved painters in the history of art, with myriad publications and exhibitions devoted to his oeuvre. This book focuses on Monet's  続きを読む

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