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Unsettling scores : German film, music, and ideology

Author: Roger Hillman
Publisher: Bloomington : Indiana University Press, ©2005.
Edition/Format:   Print book : State or province government publication : EnglishView all editions and formats
Database:WorldCat
Summary:

Interprets the use of classical music in post-war German cinema.

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Genre/Form: Criticism, interpretation, etc
Material Type: Government publication, State or province government publication, Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Roger Hillman
ISBN: 0253345375 9780253345370 0253217547 9780253217547
OCLC Number: 56324689
Description: xi, 219 pages : illustrations ; 24 cm
Contents: Establishing a tonal center --
Music as cultural marker in German film --
History on the soundtrack : the example of Beethoven's Ninth --
A Wagnerian German requiem : Syberberg's Hitler (1977) --
Alexander Kluge's Songs without words : Die Patriotin (1979) --
Fassbinder's compromised request concert : Lili Marleen (1980) --
The great eclecticism of the filmmaker Werner Herzog --
Pivot chords : Austrian music and Visconti's Senso (1954) --
Conclusion : film music and cultural memory.
Responsibility: Roger Hillman.
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"Hillman's groundbreaking study enables both serious and casual film students to approach these works with sharpened vision and improved hearing."Klaus Phillips, Hollins University

 
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