Find a copy online
Links to this item
Find a copy in the library
Finding libraries that hold this item...
Details
| Material Type: | Government publication, State or province government publication, Internet resource |
|---|---|
| Document Type: | Book, Internet Resource |
| All Authors / Contributors: |
Roger Hillman |
| ISBN: | 0253345375 9780253345370 0253217547 9780253217547 |
| OCLC Number: | 56324689 |
| Description: | xi, 219 p. : ill. ; 24 cm. |
| Contents: | Establishing a tonal center -- Music as cultural marker in German film -- History on the soundtrack : the example of Beethoven's Ninth -- A Wagnerian German requiem : Syberberg's Hitler (1977) -- Alexander Kluge's Songs without words : Die Patriotin (1979) -- Fassbinder's compromised request concert : Lili Marleen (1980) -- The great eclecticism of the filmmaker Werner Herzog -- Pivot chords : Austrian music and Visconti's Senso (1954) -- Conclusion : film music and cultural memory. |
| Responsibility: | Roger Hillman. |
| More information: |
Reviews
Editorial reviews
Publisher Synopsis
"Hillman's groundbreaking study enables both serious and casual film students to approach these works with sharpened vision and improved hearing."Klaus Phillips, Hollins University
User-contributed reviews
Add a review and share your thoughts with other readers.
Be the first.
Add a review and share your thoughts with other readers.
Be the first.
Tags
Add tags for "Unsettling scores : German film, music, and ideology".
Be the first.
