skip to content
Unsettling scores : German film, music, and ideology
ClosePreview this item

Unsettling scores : German film, music, and ideology

Author: Roger Hillman
Publisher: Bloomington : Indiana University Press, ©2005.
Edition/Format:   Book : State or province government publication : EnglishView all editions and formats
Summary:

Interprets the use of classical music in post-war German cinema.

Rating:

(not yet rated) 0 with reviews - Be the first.

 

Find a copy online

Links to this item

Find a copy in the library

&AllPage.SpinnerRetrieving; Finding libraries that hold this item...

Details

Material Type: Government publication, State or province government publication, Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Roger Hillman
ISBN: 0253345375 9780253345370 0253217547 9780253217547
OCLC Number: 56324689
Description: xi, 219 p. : ill. ; 24 cm.
Contents: Establishing a tonal center --
Music as cultural marker in German film --
History on the soundtrack : the example of Beethoven's Ninth --
A Wagnerian German requiem : Syberberg's Hitler (1977) --
Alexander Kluge's Songs without words : Die Patriotin (1979) --
Fassbinder's compromised request concert : Lili Marleen (1980) --
The great eclecticism of the filmmaker Werner Herzog --
Pivot chords : Austrian music and Visconti's Senso (1954) --
Conclusion : film music and cultural memory.
Responsibility: Roger Hillman.
More information:

Reviews

Editorial reviews

Publisher Synopsis

"Hillman's groundbreaking study enables both serious and casual film students to approach these works with sharpened vision and improved hearing."Klaus Phillips, Hollins University

 
User-contributed reviews
Retrieving GoodReads reviews...

Tags

Be the first.
Confirm this request

You may have already requested this item. Please select Ok if you would like to proceed with this request anyway.

Linked Data


<http://www.worldcat.org/oclc/56324689>
library:oclcnum"56324689"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/56324689>
rdf:typeschema:Book
rdfs:seeAlso
rdfs:seeAlso
rdfs:seeAlso
rdfs:seeAlso
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:author
schema:copyrightYear"2005"
schema:datePublished"2005"
schema:description"Establishing a tonal center -- Music as cultural marker in German film -- History on the soundtrack : the example of Beethoven's Ninth -- A Wagnerian German requiem : Syberberg's Hitler (1977) -- Alexander Kluge's Songs without words : Die Patriotin (1979) -- Fassbinder's compromised request concert : Lili Marleen (1980) -- The great eclecticism of the filmmaker Werner Herzog -- Pivot chords : Austrian music and Visconti's Senso (1954) -- Conclusion : film music and cultural memory."
schema:genre"Criticism, interpretation, etc."
schema:inLanguage"en"
schema:name"Unsettling scores : German film, music, and ideology"
schema:numberOfPages"219"
schema:publisher
rdf:typeschema:Organization
schema:name"Indiana University Press"
umbel:isLike<http://d-nb.info/979741688>
umbel:isLike<http://bnb.data.bl.uk/id/resource/GBA525141>
Close Window

Please sign in to WorldCat 

Don't have an account? You can easily create a free account.