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The usurer's heart : Giotto, Enrico Scrovegni, and the Arena Chapel in Padua
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The usurer's heart : Giotto, Enrico Scrovegni, and the Arena Chapel in Padua

Author: Anne Derbes; Mark Sandona
Publisher: University Park, Pa. : Pennsylvania State University Press, ©2008.
Edition/Format:   Book : State or province government publication : EnglishView all editions and formats
Summary:
"At the turn of the fourteenth century, Enrico Scrovegni constructed the most opulent palace that the city of Padua had seen, and he engaged the great Florentine painter, Ciotro, to decorate the walls of his private chapel (1303-5). In that same decade, Dante consigned Enrico's father, a notorious usurer, to the seventh circle of hell. The frescoes rank with Dante's Divine Comedy as some of the great monuments of  Read more...
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Details

Genre/Form: Illustrations
Named Person: Giotto; Enrico Scrovegni
Material Type: Government publication, State or province government publication, Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Anne Derbes; Mark Sandona
ISBN: 9780271032566 0271032561
OCLC Number: 171287644
Notes: 2 folded col. plates inserted.
Description: xxi, 237 p., [38] p. of plates : ill. (some col.), maps ; 29 cm.
Contents: Introduction --
Family chapel: usury, piety, and the Scrovegni in late medieval Padua --
Judas and Mary: the chancel arch antithesis --
Past and present: history as metaphor --
"This is my cleansing": figures of penitence --
Conclusion: authors and audiences.
Responsibility: Anne Derbes and Mark Sandona.
More information:

Abstract:

Brings together historical evidence on the chapel's origins and describes the fresco program as, in part, an attempt to ameliorate the Scrovegni family's reputation. This title interprets the  Read more...

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"A significant contribution to one of the most famous monuments in the history of art." -- Erik Thuno

 
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schema:description"Introduction -- Family chapel: usury, piety, and the Scrovegni in late medieval Padua -- Judas and Mary: the chancel arch antithesis -- Past and present: history as metaphor -- "This is my cleansing": figures of penitence -- Conclusion: authors and audiences."
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schema:reviewBody""At the turn of the fourteenth century, Enrico Scrovegni constructed the most opulent palace that the city of Padua had seen, and he engaged the great Florentine painter, Ciotro, to decorate the walls of his private chapel (1303-5). In that same decade, Dante consigned Enrico's father, a notorious usurer, to the seventh circle of hell. The frescoes rank with Dante's Divine Comedy as some of the great monuments of late medieval Italian culture, and yet much about the fresco program is incompletely understood." "Most traditional studies of the Arena Chapel have examined the frescoes as individual compositions, largely divorced from their original context, almost as if they were panels detached from an altarpiece and hung on a museum wall for the viewing pleasure of the connoisseur. Anne Derbes and Mark Sandona, in contrast, consider each image as part of an intricate network of visual and theological associations comparable to that of Dante's poem. The authors show how this remarkable ensemble of paintings offers complex meanings, meanings shaped by several interested parties-patron, confessor, and painter."--BOOK JACKET."
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