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Utopia and terror in contemporary American fiction

Autor: Judie Newman
Editorial: New York : Routledge, 2013.
Serie: Routledge transnational perspectives on American literature, 21.
Edición/Formato:   book_printbook : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
"This book examines the quest for/failure of Utopia across a range of contemporary American/transnational fictions in relation to terror and globalization through authors such as Susan Choi, André Dubus, Dalia Sofer, and John Updike. While recent critical thinkers have reengaged with Utopia, the possibility of terror -- whether state or non-state, external or homegrown -- shadows Utopian imaginings. Terror and  Leer más
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Tipo de documento: Libro/Texto
Todos autores / colaboradores: Judie Newman
ISBN: 9780415899123 0415899125 9780203555972 020355597X
Número OCLC: 794041250
Descripción: xii, 181 p. ; 24 cm.
Contenido: Rotten with perfection : Kim Edwards, The secrets of a fire king --
Fiction and the Unabomber : Susan Choi, A person of interest --
Blowback : André Dubus III, House of sand and fog --
Falling woman : André Dubus III, The garden of last days --
Pictures from a revolution : Dalia Sofer, The Septembers of Shiraz --
Updike's many worlds : local and global in Toward the end of time --
The Black Atlantic as dystopia : Bernardine Evaristo, Blonde roots --
Disaster utopias : Chitra Divakaruni, One amazing thing.
Título de la serie: Routledge transnational perspectives on American literature, 21.
Responsabilidad: Judie Newman.
Más información:

Resumen:

"This book examines the quest for/failure of Utopia across a range of contemporary American/transnational fictions in relation to terror and globalization through authors such as Susan Choi, André Dubus, Dalia Sofer, and John Updike. While recent critical thinkers have reengaged with Utopia, the possibility of terror -- whether state or non-state, external or homegrown -- shadows Utopian imaginings. Terror and Utopia are linked in fiction through the exploration of the commodification of affect, a phenomenon of a globalized world in which feelings are managed, homogenized across cultures, exaggerated, or expunged according to a dominant model. Narrative approaches to the terrorist offer a means to investigate the ways in which fiction can resist commodification of affect, and maintain a reasoned but imaginative vision of possibilities for human community. Newman explores topics such as the first American bestseller with a Muslim protagonist, the links between writer and terrorist, the work of Iranian-Jewish Americans, and the relation of race and religion to Utopian thought."--Publisher's description.

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