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Utopia and terror in contemporary American fiction

ผู้แต่ง: Judie Newman
สำนักพิมพ์: New York : Routledge, 2013.
ชุด: Routledge transnational perspectives on American literature, 21.
ครั้งที่พิมพ์/รูปแบบ:   พิมพ์หนังสือ : ภาษาอังกฤษดูครั้งที่พิมพ์และรูปแบบ
ฐานข้อมูล:WorldCat
สรุป:
"This book examines the quest for/failure of Utopia across a range of contemporary American/transnational fictions in relation to terror and globalization through authors such as Susan Choi, André Dubus, Dalia Sofer, and John Updike. While recent critical thinkers have reengaged with Utopia, the possibility of terror -- whether state or non-state, external or homegrown -- shadows Utopian imaginings. Terror and  อ่านมากขึ้น…
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ประเภท/แบบฟอร์ม Criticism, interpretation, etc
skönlitteratur
ประเภทเอกสาร หนังสือ
ผู้แต่งทั้งหมด : ผู้แต่งร่วม Judie Newman
ISBN: 9780415899123 0415899125 9780203555972 020355597X
OCLC Number: 794041250
คำอธิบาย: xii, 181 pages ; 24 cm.
สารบัญ: Rotten with perfection : Kim Edwards, The secrets of a fire king --
Fiction and the Unabomber : Susan Choi, A person of interest --
Blowback : André Dubus III, House of sand and fog --
Falling woman : André Dubus III, The garden of last days --
Pictures from a revolution : Dalia Sofer, The Septembers of Shiraz --
Updike's many worlds : local and global in Toward the end of time --
The Black Atlantic as dystopia : Bernardine Evaristo, Blonde roots --
Disaster utopias : Chitra Divakaruni, One amazing thing.
ชื่อชุด: Routledge transnational perspectives on American literature, 21.
ความรับผิดชอบ: Judie Newman.

บทคัดย่อ:

"This book examines the quest for/failure of Utopia across a range of contemporary American/transnational fictions in relation to terror and globalization through authors such as Susan Choi, André Dubus, Dalia Sofer, and John Updike. While recent critical thinkers have reengaged with Utopia, the possibility of terror -- whether state or non-state, external or homegrown -- shadows Utopian imaginings. Terror and Utopia are linked in fiction through the exploration of the commodification of affect, a phenomenon of a globalized world in which feelings are managed, homogenized across cultures, exaggerated, or expunged according to a dominant model. Narrative approaches to the terrorist offer a means to investigate the ways in which fiction can resist commodification of affect, and maintain a reasoned but imaginative vision of possibilities for human community. Newman explores topics such as the first American bestseller with a Muslim protagonist, the links between writer and terrorist, the work of Iranian-Jewish Americans, and the relation of race and religion to Utopian thought."--Publisher's description.

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