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Utopia, Dystopia, and Cultural Controversy in Ever After and The Grimm Brothers' Snow White
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Utopia, Dystopia, and Cultural Controversy in Ever After and The Grimm Brothers' Snow White

Auteur : John Stephens; Robyn McCallum
Éditeur : Project Muse
Édition/format : Article Article : English
Publication :Marvels & Tales, 16, no. 2 (2002): 201-213
Base de données :ArticleFirst
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Détails

Format : Article
Tous les auteurs / collaborateurs : John Stephens; Robyn McCallum
ISSN :0898-154X
Note sur la langue : English
Identificateur Unique : 364115838
Récompenses :

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Primary Entity

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    rdfs:comment "949 $l Article" ;
    schema:about <http://experiment.worldcat.org/entity/work/data/74882745#Thing/fairy_tales_in_motion_pictures> ; # Fairy tales in motion pictures.
    schema:about <http://experiment.worldcat.org/entity/work/data/74882745#Thing/cohn_michael_dir_grimm_brothers_snow_white_film> ; # Cohn Michael, dir Grimm Brothers' Snow White [film]
    schema:about <http://experiment.worldcat.org/entity/work/data/74882745#Thing/tennant_andy_dir_ever_after_motion_picture> ; # Tennant Andy, dir Ever after (Motion picture)
    schema:contributor <http://experiment.worldcat.org/entity/work/data/74882745#Person/mccallum_robyn> ; # Robyn McCallum
    schema:creator <http://experiment.worldcat.org/entity/work/data/74882745#Person/stephens_john> ; # John Stephens
    schema:datePublished "2002-10-01" ;
    schema:description "Two film retellings of fairy tales from the 1990s exemplify how familiar fairy tales can be reshaped to address major cultural preoccupations. On the one hand, the utopian narrative Ever After affirms neohumanistic values such as deep memory, knowable origins, and teleology in narrative and culture. In contrast, The Grimm Brothers' Snow White is postmodernist and dystopian, hybridizing apocalyptic and Gothic narrative structures and themes, and drawing on modern phenomena such as "the beauty myth," to present characters playing out an old story to an outcome which resists both teleology and closure." ;
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