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Utopia, Dystopia, and Cultural Controversy in Ever After and The Grimm Brothers' Snow White
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Utopia, Dystopia, and Cultural Controversy in Ever After and The Grimm Brothers' Snow White

著者: John Stephens; Robyn McCallum
出版社: Project Muse
エディション/フォーマット: 記事/論文 記事/論文 : English
ソース:Marvels & Tales, 16, no. 2 (2002): 201-213
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ドキュメントの種類 記事/論文
すべての著者/寄与者: John Stephens; Robyn McCallum
ISSN:0898-154X
言語注記: English
固有識別子 364115838
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  • article  (Belarus 1 ユーザー)
  • bnf  (Belarus 1 ユーザー)
  • fairy tales  (Belarus 1 ユーザー)
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    schema:description "Two film retellings of fairy tales from the 1990s exemplify how familiar fairy tales can be reshaped to address major cultural preoccupations. On the one hand, the utopian narrative Ever After affirms neohumanistic values such as deep memory, knowable origins, and teleology in narrative and culture. In contrast, The Grimm Brothers' Snow White is postmodernist and dystopian, hybridizing apocalyptic and Gothic narrative structures and themes, and drawing on modern phenomena such as "the beauty myth," to present characters playing out an old story to an outcome which resists both teleology and closure." ;
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