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Utopia, Dystopia, and Cultural Controversy in Ever After and The Grimm Brothers' Snow White
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Utopia, Dystopia, and Cultural Controversy in Ever After and The Grimm Brothers' Snow White

著者: John Stephens; Robyn McCallum
出版商: Project Muse
版本/格式: 文章 文章 : 英语
资源:Marvels & Tales, 16, no. 2 (2002): 201-213
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文档类型 文章
所有的著者/提供者: John Stephens; Robyn McCallum
ISSN:0898-154X
语言注释: English
专有的标识符 364115838
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  • article  (白俄罗斯(Belarus) 1 个人)
  • bnf  (白俄罗斯(Belarus) 1 个人)
  • fairy tales  (白俄罗斯(Belarus) 1 个人)
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    schema:description "Two film retellings of fairy tales from the 1990s exemplify how familiar fairy tales can be reshaped to address major cultural preoccupations. On the one hand, the utopian narrative Ever After affirms neohumanistic values such as deep memory, knowable origins, and teleology in narrative and culture. In contrast, The Grimm Brothers' Snow White is postmodernist and dystopian, hybridizing apocalyptic and Gothic narrative structures and themes, and drawing on modern phenomena such as "the beauty myth," to present characters playing out an old story to an outcome which resists both teleology and closure." ;
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