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Uttarā = The wrestlers

Author: Dulāla RāẏaBuddhadeba DāśaguptaTapas PaulShankar ChakrabortyJaya SealAll authors
Publisher: Calcutta : Angel Video, [2006] ©2006
Edition/Format:   DVD video : NTSC color broadcast system : BengaliView all editions and formats
Summary:
Nimai and Balaram work together at a small railway terminal in the Purulia district and in their off-time, they both dabble in wrestling. When Nimai marries the beautiful Uttara, Balaram also becomes possessive of her. Their discord causes the normally placid village to become the scene of much unrest and even violence. Director Dasgupta uses the story as a metaphor to describe the state of contemporary India.
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Details

Genre/Form: Drama
Feature films
Fiction films
Film adaptations
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: Dulāla Rāẏa; Buddhadeba Dāśagupta; Tapas Paul; Shankar Chakraborty; Jaya Seal; Raisul Islam Asad; Saurav Das; Tapas Adhikari; Gautam Warshi; Biswadeb Dasgupta; Rabirañjana Maitra; Samareśa Basu; Angel Video (Firm),
OCLC Number: 567106921
Language Note: In Bengali with English subtitles.
Notes: Based on the short story Urātiẏā by Samareśa Basu.
Originally produced as a motion picture in 2000.
Credits: Camera, Asīma Basu ; music, Biśvadeba Dāśagupta ; editing, Rabirañjana Maitra.
Cast: Tāpasa Pāla, Śaṃkara Cakrabartī, Raisula Isalāma Āsāda, Saurabha Dāsa, Jaẏā Śīla, Tāpasa Adhikārī, Gautama Oẏārasi.
Description: 1 videodisc (92 min.) : sound, color ; 4 3/4 in.
Details: DVD9; NTSC, region free; 5.1 surround sound.
Other Titles: Wrestlers
Lottatori
Responsibility: Dulāla Rāẏa nibedita Buddhadeba Dāśagupta Proḍākaśans prayojita ; citranāṭya o paricālanā, Buddhadeba Dāśagupta.

Abstract:

Nimai and Balaram work together at a small railway terminal in the Purulia district and in their off-time, they both dabble in wrestling. When Nimai marries the beautiful Uttara, Balaram also becomes possessive of her. Their discord causes the normally placid village to become the scene of much unrest and even violence. Director Dasgupta uses the story as a metaphor to describe the state of contemporary India.

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Linked Data


Primary Entity

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