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Van Eyck : and the founders of early Netherlandish painting

Author: Otto Pächt; Maria Schmidt-Dengler
Publisher: London : H. Miller, 1994.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
"In this volume, the great medieval scholar Otto Pacht is concerned with one of the key problems in the history of western art: the comet-like appearance of a new kind of painting in Northern Europe at the end of the 14th century and the first half of the 15th century. The leading artists of this phenomenon were the Master of Flemalle and the Brothers Van Eyck, and the most outstanding work produced was the famous  Read more...
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Genre/Form: Criticism, interpretation, etc
Additional Physical Format: Online version:
Pächt, Otto, 1902-1988.
Van Eyck.
London : H. Miller, 1994
(OCoLC)620982355
Named Person: Hubert van Eyck; Jan van Eyck; Robert Campin; Hubert van Eyck; Jan van Eyck; Robert Campin; Hubert van Eyck; Jan van Eyck; Hubert van Eyck; Hubert van Eyck; Jan van Eyck
Document Type: Book
All Authors / Contributors: Otto Pächt; Maria Schmidt-Dengler
ISBN: 1872501818 9781872501819
OCLC Number: 31991386
Language Note: Translation of: Van Eyck, die Begründer der altniederländischen Malerei. Originally published in German: Van Eyck Die Begrunder der altniederlandischen Malerei, Prestel-Verlag, Munich, 1989.
Notes: Translation of Van Eyck: die Begründer der alniederländischen Malerei.
Description: 223 pages, [1] folded leaf of plates : illustrations (some color) ; 29 cm
Contents: The master of Flémalle --
Jan van Eyck --
The Ghent altarpiece --
The Hubert van Eyck problem and the Hours of Turin.
Other Titles: Van Eyck.
Responsibility: Otto Pächt ; foreword by Arthur Rosenauer ; edited by Maria Schmidt-Dengler ; translated by David Britt.

Abstract:

"In this volume, the great medieval scholar Otto Pacht is concerned with one of the key problems in the history of western art: the comet-like appearance of a new kind of painting in Northern Europe at the end of the 14th century and the first half of the 15th century. The leading artists of this phenomenon were the Master of Flemalle and the Brothers Van Eyck, and the most outstanding work produced was the famous Ghent Altarpiece; it has puzzled scholars to this day. It is a topic that occupied Pacht throughout his long career, and the present book is based on a series of lectures given at the University of Vienna in the 1960s and early 70s." "In this first English translation of the acclaimed German edition, Pacht examines the work of Jan and Hubert Van Eyck and their contemporaries in the context of a changing intellectual world - the transition from medieval thought to a perception that recognizes and embraces all facets of visible reality." "The illustrations, in colour and monochrome, cover not only the major work of the Brothers Van Eyck and the Master of Flemalle, but also many comparative works. A special attraction is the folding plate, in colour, of the entire Ghent Altarpiece."--Jacket.

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