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Van Gogh and Gauguin : the studio of the south

Autore: Douglas W DruickPeter ZegersBritt SalvesenKristin Hoermann ListerMary C WeaverTutti gli autori
Editore: Chicago : Art Institute of Chicago ; New York Thames & Hudson, 2001.
Edizione/Formato:   book_printbook : Biography : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"The friendship of Vincent Van Gogh and Paul Gauguin - including an intense, two-month collaboration in Aries, in the south of France - is one of the most revealing and dynamic relationships in the history of modern art. When they first met in Paris in late 1887, they were two of a number of artists seeking a way to move beyond impressionism. They found common ground in the belief that progressive art should be  Per saperne di più…
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Genere/forma: Biography
Biographies
Persona incaricata: Vincent van Gogh; Paul Gauguin; Vincent van Gogh; Paul Gauguin; Paul Gauguin; Vincent van Gogh
Tipo materiale: Biography
Tipo documento: Book
Tutti gli autori / Collaboratori: Douglas W Druick; Peter Zegers; Britt Salvesen; Kristin Hoermann Lister; Mary C Weaver; Art Institute of Chicago.; Van Gogh Museum, Amsterdam.
ISBN: 0500510547 9780500510544 0865591946 9780865591943 8843598406 9788843598403
Numero OCLC: 47168698
Note: Published in conjunction with an exhibition held at the Art Institute of Chicago, Sept 22, 2001-Jan. 13, 2002 and the Van Gogh Museum, Amsterdam, Feb. 2-June 2, 2002.
Descrizione: xii, 418 pages : illustrations (chiefly color), maps ; 33 cm
Responsabilità: Douglas W. Druick and Peter Kort Zegers in collaboration with Britt Salvesen ; with contributions to the text by Kristin Hoermann Lister and the assistance of Mary C. Weaver.

Abstract:

"The friendship of Vincent Van Gogh and Paul Gauguin - including an intense, two-month collaboration in Aries, in the south of France - is one of the most revealing and dynamic relationships in the history of modern art. When they first met in Paris in late 1887, they were two of a number of artists seeking a way to move beyond impressionism. They found common ground in the belief that progressive art should be created at a distance from urban decadence, a conviction that led Gauguin to Brittany and van Gogh to Aries in the early months of 1888." "Published on the occasion of a landmark exhibition organized by The Art Institute of Chicago and the Van Gogh Museum, Amsterdam, the book is a provocative study of influence and innovation. With a wealth of illustrations, it offers a new perspective on some of the best-known masterpieces of modern art, as well as fresh insight into two of its central personalities."--Jacket.

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    .


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