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Vaughan Williams

ผู้แต่ง: Simon Heffer
สำนักพิมพ์: Boston, Mass. : Northeastern University Press, 2001, ©2000.
ครั้งที่พิมพ์/รูปแบบ:   Print book : บรรณานุกรม : ภาษาอังกฤษดูครั้งที่พิมพ์และรูปแบบ
ฐานข้อมูล:WorldCat
สรุป:
"Unlike the fathers of the nineteenth-century English musical renaissance, who slavishly paid homage to the German masters, composers Ralph Vaughan Williams (1872-1958) and his friend Gustav Holst threw off the shackles of the Teutonic school and drew their inspiration from the neglected tradition of English folk-song." "The result was the creation of a distinctly English musical voice that evoked the cultural
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ประเภท/แบบฟอร์ม Biography
ชื่อบุคคล: Ralph Vaughan Williams; Ralph Vaughan Williams
ขนิดวัสดุ: บรรณานุกรม
ประเภทของเอกสาร: หนังสือ
ผู้แต่งทั้งหมด : ผู้แต่งร่วม Simon Heffer
ISBN: 1555534724 9781555534721
OCLC Number: 45247354
คำอธิบาย: 167 pages ; 21 cm
สารบัญ: The magic casements --
Real music --
A search for a style --
Mature mysticism --
'Ultimately national' --
The importance of war --
To be a pilgrim --
Finale.
ความรับผิดชอบ: Simon Heffer.

บทคัดย่อ:

"Unlike the fathers of the nineteenth-century English musical renaissance, who slavishly paid homage to the German masters, composers Ralph Vaughan Williams (1872-1958) and his friend Gustav Holst threw off the shackles of the Teutonic school and drew their inspiration from the neglected tradition of English folk-song." "The result was the creation of a distinctly English musical voice that evoked the cultural heritage of a nation. In particular, the sheer beauty, vitality, and aesthetic force of Vaughan Williams's works, which include The Lark Ascending, Greensleeves, the Tallis Fantasia, and nine symphonies, connected listeners to a timeless past and gave them a common national spirit, especially during turbulent war-torn times."

"This biography charts the course of Vaughan Williams's life and career. Simon Heffer traces his privileged upbringing, his years of painstaking studies with Hubert Parry, Max Bruch, and Maurice Ravel, his promotion of folk-song and editorship of the English Hymnal, his close association with Holst and George Butterworth, and his emergence as the leader of English musical life."--Jacket.

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