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The Velvet Underground

Author: Richard Witts
Publisher: Bloomington : Indiana University Press, 2006.
Series: Icons of pop music.
Edition/Format:   Book : Biography : State or province government publication : EnglishView all editions and formats
Database:WorldCat
Summary:
"Though The Velvet Underground existed for no more than three years with its original lineup, it is considered to be not just the "ultimate New York band" but one of the most influential rock groups ever. Among its devotees are David Bowie, The Sex Pistols, Patti Smith, Joy Division, and Nirvana, along with hot new groups such as the White Stripes and the Strokes." "Witts places the band and its genesis in the  Read more...
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Genre/Form: Biography
Criticism, interpretation, etc
Material Type: Biography, Government publication, State or province government publication
Document Type: Book
All Authors / Contributors: Richard Witts
ISBN: 0253218322 9780253218322
OCLC Number: 71891464
Description: 171 p. : ill. ; 22 cm.
Series Title: Icons of pop music.
Responsibility: Richard Witts.

Abstract:

An absorbing journey into the world of The Velvet Underground and 1960s New York City  Read more...

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"Witt's little marvel of a book... won me over completely: it is careful, funny, refreshing, usefully revisionist." Mark Greif, London Review of Books"

 
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schema:reviewBody""Though The Velvet Underground existed for no more than three years with its original lineup, it is considered to be not just the "ultimate New York band" but one of the most influential rock groups ever. Among its devotees are David Bowie, The Sex Pistols, Patti Smith, Joy Division, and Nirvana, along with hot new groups such as the White Stripes and the Strokes." "Witts places the band and its genesis in the cultural context of Manhattan's beatnik bohemianism, its radical artistic environment, and the city's reaction to California's "Hippie" counterculture. Lou Reed's Brill Building background is also considered, while his Primitives (1964-65) and Velvet Underground (1965-70) songs are examined within the stylistic context of rock music. The band's sound world is likewise considered in this light. John Cale's experimental contribution is assessed, especially his work for LaMonte Young (The Theatre of Eternal Music), and what he carried from that experience into the Velvet's sound." "Witts studies the musical influences of The Velvet Underground on punk, post-punk, and subsequent rock movements, culminating in the group's 1993 reunion. He also indexes the variety of media constructions that the group endured through the years and how these affected the attempts of Cale, Nico, and Reed to establish solo careers."--BOOK JACKET."
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