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Vermeer : the complete paintings

Author: Walter A Liedtke; Johannes Vermeer
Publisher: [Ghent, Belgium] : Ludion Press ; New York : Distributed in North America by Harry N. Abrams, ©2008.
Series: Classical art series.
Edition/Format:   Print book : Biography : EnglishView all editions and formats
Database:WorldCat
Summary:
"Since his rediscovery in the later half of the nineteenth century, Johannes Vermeer (1632-1675) has been one of the most admired and influential European painters. His extremely private life, his supposed use of a camera obscura, and the fact that his teacher remains unidentified have, until recently, encouraged a view of the 'Sphinx of Delft' as an isolated genius shrouded in an air of mystery. Walter Liedtke's  Read more...
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Genre/Form: Bildband
Werkverzeichnis
Art
Biography
Catalogues raisonnés
Criticism, interpretation, etc
verkförteckningar
In art
Additional Physical Format: Online version:
Liedtke, Walter A.
Vermeer.
[Ghent, Belgium] : Ludion Press : New York : Distributed in North America by Harry N. Abrams, ©2008
(OCoLC)690997235
Named Person: Johannes Vermeer; Johannes Vermeer; Jan Vermeer van Delft; Jan Vermeer van Delft; Jan Vermeer van Delft; Johannes Vermeer; Johannes Vermeer
Material Type: Biography, Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Walter A Liedtke; Johannes Vermeer
ISBN: 9789055447428 9780810983366 9781419703089 1419703080 0810983362 9055447420
OCLC Number: 237890666
Description: 207 pages : illustrations ; 33 cm.
Contents: Johannes Vermeer, 1632-1675 --
Catalogue --
Appendices. A, Vermeer and the camera obscura ; B, Selected documents ; C, Provenances of paintings by Vermeer.
Series Title: Classical art series.
Responsibility: Walter Liedtke.
More information:

Abstract:

"Since his rediscovery in the later half of the nineteenth century, Johannes Vermeer (1632-1675) has been one of the most admired and influential European painters. His extremely private life, his supposed use of a camera obscura, and the fact that his teacher remains unidentified have, until recently, encouraged a view of the 'Sphinx of Delft' as an isolated genius shrouded in an air of mystery. Walter Liedtke's new monograph reveals Vermeer's life to be well documented and places his work in the context of the Delft School and of Delft society as a whole. Vermeer's many admirers will relish Liedtke's exploration of subtleties of meaning and refinements of technique and style. Alongside the most historical approach to Vermeer to date, the annotated colour catalogue of Vermeer's complete paintings reveals a master whose rare sensibility may be described but not explained."--Jacket.

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