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Victorian culture and the idea of the grotesque

Auteur : Colin Trodd; Paul Barlow; David Amigoni
Éditeur : Aldershot : Ashgate, cop. 1999.
Édition/format :   Livre imprimé : EnglishVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :

Monstrous, absurd, humorous, demotic and contradictory: the Grotesque is a protean force working across different areas of Victorian life. This text examines a wide range of sources and materials in  Lire la suite...

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Détails

Genre/forme : Aufsatzsammlung
Personne nommée : Ford Madox Brown; John Ruskin; Richard Dadd; George Frederick Watts; Ford Madox Brown; Thomas Carlyle; Richard Dadd; Samuel Johnson; John Ruskin; George Frederick Watts; George Frederick Watts; Thomas Woolner
Type d’ouvrage : Ressource Internet
Format : Book, Internet Resource
Tous les auteurs / collaborateurs : Colin Trodd; Paul Barlow; David Amigoni
ISBN : 1859283802 9781859283806
Numéro OCLC : 185678406
Description : xiv, 212 s. : ill.
Contenu : Introduction: the Grotesque. "Borrowing gargantua's mouth - biography, Bahktin and Grotesque discourse" - James Boswell, Thomas Carlyle and Leslie Stephen on Samuel Johnson, David Amigoni; Thomas Carlyle's Grotesque conceits, Paul Barlow; culture and energy - Ford Madox Brown, Thomas Carlyle and the Cromwellian Grotesque, Colin Trodd; "Griffinism, grace and all" - the riddle of the Grotesque in John Ruskin's Modern Painters, Lucy Hartley; Grotesque obscenities - Thomas Woolner's Civilisation and its discontents, Paul Barlow; "entangled banks" - Robert Browning, Richard Dadd, and the Darwinian Grotesque, Nicola Bown; monsters and monstrosities - Grotesque taste and Victorian design, Shelagh Wilson; turning back the Grotesque - G F Watts, the matter of painting and the oblivion of art, Colin Trodd.
Responsabilité : edited by Colin Trodd, Paul Barlow and David Amigoni.

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