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Victorian culture and the idea of the grotesque

Autore: Colin Trodd; Paul Barlow; David Amigoni
Editore: Aldershot : Ashgate, cop. 1999.
Edizione/Formato:   book_printbook : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:

Monstrous, absurd, humorous, demotic and contradictory: the Grotesque is a protean force working across different areas of Victorian life. This text examines a wide range of sources and materials in  Per saperne di più…

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Dettagli

Genere/forma: Aufsatzsammlung
Persona incaricata: Ford Madox Brown; John Ruskin; Richard Dadd; George Frederick Watts; Ford Madox Brown; Thomas Carlyle; Richard Dadd; Samuel Johnson; John Ruskin; George Frederick Watts; George Frederick Watts; Thomas Woolner
Tipo materiale: Risorsa internet
Tipo documento: Book, Internet Resource
Tutti gli autori / Collaboratori: Colin Trodd; Paul Barlow; David Amigoni
ISBN: 1859283802 9781859283806
Numero OCLC: 185678406
Descrizione: xiv, 212 s. : ill.
Contenuti: Introduction: the Grotesque. "Borrowing gargantua's mouth - biography, Bahktin and Grotesque discourse" - James Boswell, Thomas Carlyle and Leslie Stephen on Samuel Johnson, David Amigoni; Thomas Carlyle's Grotesque conceits, Paul Barlow; culture and energy - Ford Madox Brown, Thomas Carlyle and the Cromwellian Grotesque, Colin Trodd; "Griffinism, grace and all" - the riddle of the Grotesque in John Ruskin's Modern Painters, Lucy Hartley; Grotesque obscenities - Thomas Woolner's Civilisation and its discontents, Paul Barlow; "entangled banks" - Robert Browning, Richard Dadd, and the Darwinian Grotesque, Nicola Bown; monsters and monstrosities - Grotesque taste and Victorian design, Shelagh Wilson; turning back the Grotesque - G F Watts, the matter of painting and the oblivion of art, Colin Trodd.
Responsabilità: edited by Colin Trodd, Paul Barlow and David Amigoni.

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