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E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/234234088 Title: Viennese Jewish modernism : Freud, Hofmannsthal, Beer-Hofmann, and Schnitzler Author: Abigail Gillman Publisher: University Park, Pa. : Pennsylvania State University Press, ©2009. ISBN/ISSN: 9780271034096 0271034092 OCLC:234234088

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Viennese Jewish modernism : Freud, Hofmannsthal, Beer-Hofmann, and Schnitzler

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Viennese Jewish modernism : Freud, Hofmannsthal, Beer-Hofmann, and Schnitzler

Author:	Abigail Gillman
Publisher:	University Park, Pa. : Pennsylvania State University Press, ©2009.
Series:	Refiguring modernism, 10.
Edition/Format:	Book : State or province government publication : EnglishView all editions and formats
Database:	WorldCat
Summary:	Focusing on the works of major Viennese authors and thinkers - Freud, Hofmannsthal, Beer-Hofmann, and Schnitzler - both within and outside the contexts of Jewish identity, this book provides a perspective on modernism. Read more...
Rating:	(not yet rated) 0 with reviews - Be the first.
Subjects	Modernism (Literature) -- Austria -- Vienna. Jews -- Austria -- Vienna -- Intellectual life. Austria -- Civilization -- Jewish influences. View all subjects
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Named Person:	Sigmund Freud; Hugo von Hofmannsthal; Richard Beer-Hofmann; Arthur Schnitzler; Arthur Schnitzler; Sigmund Freud; Hugo von Hofmannsthal; Richard Beer-Hofmann
Material Type:	Government publication, State or province government publication, Internet resource
Document Type:	Book, Internet Resource
All Authors / Contributors:	Abigail Gillman Find more information about:
ISBN:	9780271034096 0271034092
OCLC Number:	234234088
Description:	x, 225 p. : ill. ; 25 cm.
Contents:	Introduction: The Origins of Viennese Jewish Modernism -- Part 1: Genres of Memory -- Freud's Modernism in A Childhood Memory of Leonardo da Vinci (1910), "The Moses of Michelangelo" (1914), and Moses and Monotheism (1938) -- Hofmannsthal's Jewish Pantomime: Der Schuler (The Student, 1901) -- Part 2: Hybrid Plots, Virtual Jews -- How a Viennese Modernist Becomes a Jew: Beer-Hofmann's Der Tod Georgs (The Death of Georg, 1900) -- Anatomies of Failure: Jewish Tragicomedy in Schnitzler's Der Weg ins Freie (The Road into the Open, 1908) and Professor Bernhardi (1912) -- Part 3: Performing the Hebrew Bible -- Mythic Memory Theater and the Problem of Jewish Orientalism in Hofmannsthal's Ballet Josephslegende (Legend of Joseph, 1912) -- The Forgotten Modernism of Biblical Drama: Beer-Hofmann's Die Historie von Konig David (The History of King David, 1918-33) -- Conclusion.
Series Title:	Refiguring modernism, 10.
Responsibility:	Abigail Gillman.
More information:	Table of contents only

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"Gillman's book is as rich and paradoxical as Jewish assimilation itself, for the author is at once telling a particularly Jewish and a larger European story of aesthetic, cultural, and sometimes Read more...

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