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Genre/Form: | Criticism, interpretation, etc |
---|---|
Named Person: | Sigmund Freud; Hugo von Hofmannsthal; Richard Beer-Hofmann; Arthur Schnitzler; Richard Beer-Hofmann; Sigmund Freud; Hugo von Hofmannsthal; Arthur Schnitzler; Arthur Schnitzler; Sigmund Freud; Hugo von Hofmannsthal; Richard Beer-Hofmann |
Material Type: | Government publication, State or province government publication, Internet resource |
Document Type: | Book, Internet Resource |
All Authors / Contributors: |
Abigail Gillman |
ISBN: | 9780271034096 0271034092 |
OCLC Number: | 234234088 |
Language Note: | English. |
Description: | x, 225 pages : illustrations ; 25 cm. |
Contents: | Introduction: The Origins of Viennese Jewish Modernism -- Part 1: Genres of Memory -- Freud's Modernism in A Childhood Memory of Leonardo da Vinci (1910), "The Moses of Michelangelo" (1914), and Moses and Monotheism (1938) -- Hofmannsthal's Jewish Pantomime: Der Schuler (The Student, 1901) -- Part 2: Hybrid Plots, Virtual Jews -- How a Viennese Modernist Becomes a Jew: Beer-Hofmann's Der Tod Georgs (The Death of Georg, 1900) -- Anatomies of Failure: Jewish Tragicomedy in Schnitzler's Der Weg ins Freie (The Road into the Open, 1908) and Professor Bernhardi (1912) -- Part 3: Performing the Hebrew Bible -- Mythic Memory Theater and the Problem of Jewish Orientalism in Hofmannsthal's Ballet Josephslegende (Legend of Joseph, 1912) -- The Forgotten Modernism of Biblical Drama: Beer-Hofmann's Die Historie von Konig David (The History of King David, 1918-33) -- Conclusion. |
Series Title: | Refiguring modernism, 10. |
Responsibility: | Abigail Gillman. |
More information: |
Reviews
Publisher Synopsis
"Gillman's book is as rich and paradoxical as Jewish assimilation itself, for the author is at once telling a particularly Jewish and a larger European story of aesthetic, cultural, and sometimes even political engagement with tradition." -- William Donahue "Gillman has provided a pathbreaking work that consolidates the insights of recent secondary literature on Jewish experience in the fin-de-siEcle and establishes 'Jewish' modernism. Her book will be read with interest by scholars of literature, modernism, Jewish studies, and cultural theory."--Timothy E. Pytell, H-Net Reviews "Viennese Jewish Modernism is a major accomplishment and provides a wealth of new ideas and information."--Alison Rose, Journal of Jewish Identities "Viennese Jewish Modernism productively engages German Studies, literary theory, and (Viennese) Judaica on several sophisticated levels. Further, it serves both as a contribution to reappraisals of fin de siEcle Modernism and a useful interpretive companion to less familiar or critically ignored works by the authors listed in its title."--Daniel C. Villanueva, Rocky Mountain Review "Argued with verve and originality, this book calls for a 'more inclusive understanding of the place of Jewish writing' in the modernist tradition. Illustrations and notes, including the German originals of the passages cited, add to the book's appeal."--E. Wickersham, Choice "[Gillman] has created a fine de siEcle for our own time, a reinterpretive historical hologram like that of the writers she discusses."--Margaret Olin, Modern Philology Gillman has provided a pathbreaking work that consolidates the insights of recent secondary literature on Jewish experience in the fin-de-siecle and establishes Jewish modernism. Her book will be read with interest by scholars of literature, modernism, Jewish studies, and cultural theory. Timothy E. Pytell, H-Net Reviews" Viennese Jewish Modernism is a major accomplishment and provides a wealth of new ideas and information. Alison Rose, Journal of Jewish Identities" Viennese Jewish Modernism productively engages German Studies, literary theory, and (Viennese) Judaica on several sophisticated levels. Further, it serves both as a contribution to reappraisals of fin de siecle Modernism and a useful interpretive companion to less familiar or critically ignored works by the authors listed in its title. Daniel C. Villanueva, Rocky Mountain Review" Argued with verve and originality, this book calls for a more inclusive understanding of the place of Jewish writing in the modernist tradition. Illustrations and notes, including the German originals of the passages cited, add to the book s appeal. E. Wickersham, Choice" [Gillman] has created a fine de siecle for our own time, a reinterpretive historical hologram like that of the writers she discusses. Margaret Olin, Modern Philology" "[Gillman] has created a fine de si�cle for our own time, a reinterpretive historical hologram like that of the writers she discusses."--Margaret Olin, Modern Philology "Viennese Jewish Modernism productively engages German Studies, literary theory, and (Viennese) Judaica on several sophisticated levels. Further, it serves both as a contribution to reappraisals of fin de si�cle Modernism and a useful interpretive companion to less familiar or critically ignored works by the authors listed in its title."--Daniel C. Villanueva, Rocky Mountain Review "Gillman has provided a pathbreaking work that consolidates the insights of recent secondary literature on Jewish experience in the fin-de-si�cle and establishes 'Jewish' modernism. Her book will be read with interest by scholars of literature, modernism, Jewish studies, and cultural theory."--Timothy E. Pytell, H-Net Reviews "[Gillman] has created a fine de siecle for our own time, a reinterpretive historical hologram like that of the writers she discusses."--Margaret Olin, Modern Philology "Viennese Jewish Modernism is a major accomplishment and provides a wealth of new ideas and information."--Alison Rose, Journal of Jewish Identities "Argued with verve and originality, this book calls for a 'more inclusive understanding of the place of Jewish writing' in the modernist tradition. Illustrations and notes, including the German originals of the passages cited, add to the book's appeal."--E. Wickersham, Choice "Gillman's book is as rich and paradoxical as Jewish assimilation itself, for the author is at once telling a particularly Jewish and a larger European story of aesthetic, cultural, and sometimes even political engagement with tradition."--William Donahue, Duke University [Gillman] has created a fine de siecle for our own time, a reinterpretive historical hologram like that of the writers she discusses. Margaret Olin, Modern Philology" Viennese Jewish Modernism productively engages German Studies, literary theory, and (Viennese) Judaica on several sophisticated levels. Further, it serves both as a contribution to reappraisals of fin de siecle Modernism and a useful interpretive companion to less familiar or critically ignored works by the authors listed in its title. Daniel C. Villanueva, Rocky Mountain Review" Viennese Jewish Modernism is a major accomplishment and provides a wealth of new ideas and information. Alison Rose, Journal of Jewish Identities" Gillman has provided a pathbreaking work that consolidates the insights of recent secondary literature on Jewish experience in the fin-de-siecle and establishes Jewish modernism. Her book will be read with interest by scholars of literature, modernism, Jewish studies, and cultural theory. Timothy E. Pytell, H-Net Reviews" Argued with verve and originality, this book calls for a more inclusive understanding of the place of Jewish writing in the modernist tradition. Illustrations and notes, including the German originals of the passages cited, add to the book s appeal. E. Wickersham, Choice" Gillman s book is as rich and paradoxical as Jewish assimilation itself, for the author is at once telling a particularly Jewish and a larger European story of aesthetic, cultural, and sometimes even political engagement with tradition. William Donahue, Duke University" [Gillman] has created a fine de siecle for our own time, a reinterpretive historical hologram like that of the writers she discusses. Margaret Olin, Modern Philology" Viennese Jewish Modernism productively engages German Studies, literary theory, and (Viennese) Judaica on several sophisticated levels. Further, it serves both as a contribution to reappraisals of fin de siecle Modernism and a useful interpretive companion to less familiar or critically ignored works by the authors listed in its title. Daniel C. Villanueva, Rocky Mountain Review" Gillman has provided a pathbreaking work that consolidates the insights of recent secondary literature on Jewish experience in the fin-de-siecle and establishes Jewish modernism. Her book will be read with interest by scholars of literature, modernism, Jewish studies, and cultural theory. Timothy E. Pytell, H-Net Reviews" Argued with verve and originality, this book calls for a more inclusive understanding of the place of Jewish writing in the modernist tradition. Illustrations and notes, including the German originals of the passages cited, add to the book s appeal. E. Wickersham, Choice" Gillman s book is as rich and paradoxical as Jewish assimilation itself, for the author is at once telling a particularly Jewish and a larger European story of aesthetic, cultural, and sometimes even political engagement with tradition. William Donahue, Duke University" "[Gillman] has created a fine de siecle for our own time, a reinterpretive historical hologram like that of the writers she discusses."--Margaret Olin, Modern Philology "Viennese Jewish Modernism productively engages German Studies, literary theory, and (Viennese) Judaica on several sophisticated levels. Further, it serves both as a contribution to reappraisals of fin de siecle Modernism and a useful interpretive companion to less familiar or critically ignored works by the authors listed in its title."--Daniel C. Villanueva, Rocky Mountain Review "Gillman has provided a pathbreaking work that consolidates the insights of recent secondary literature on Jewish experience in the fin-de-siecle and establishes 'Jewish' modernism. Her book will be read with interest by scholars of literature, modernism, Jewish studies, and cultural theory."--Timothy E. Pytell, H-Net Reviews "Argued with verve and originality, this book calls for a 'more inclusive understanding of the place of Jewish writing' in the modernist tradition. Illustrations and notes, including the German originals of the passages cited, add to the book's appeal."--E. Wickersham, Choice "Gillman's book is as rich and paradoxical as Jewish assimilation itself, for the author is at once telling a particularly Jewish and a larger European story of aesthetic, cultural, and sometimes even political engagement with tradition."--William Donahue, Duke University Viennese Jewish Modernism is a major accomplishment and provides a wealth of new ideas and information. Alison Rose, Journal of Jewish Identities" "Viennese Jewish Modernism is a major accomplishment and provides a wealth of new ideas and information."--Alison Rose, Journal of Jewish Identities Read more...


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Related Subjects:(23)
- Freud, Sigmund, -- 1856-1939.
- Hofmannsthal, Hugo von, -- 1874-1929 -- Criticism and interpretation.
- Beer-Hofmann, Richard, -- 1866-1945 -- Criticism and interpretation.
- Schnitzler, Arthur, -- 1862-1931 -- Criticism and interpretation.
- Beer-Hofmann, Richard, -- 1866-1945.
- Hofmannsthal, Hugo von, -- 1874-1929.
- Schnitzler, Arthur, -- 1862-1931.
- Schnitzler, Arthur.
- Freud, Sigmund.
- Hofmannsthal, Hugo von.
- Beer-Hofmann, Richard.
- Modernism (Literature) -- Austria -- Vienna.
- Jews -- Austria -- Vienna -- Intellectual life.
- Austria -- Civilization -- Jewish influences.
- Civilization -- Jewish influences.
- Jews -- Intellectual life.
- Modernism (Literature)
- Austria.
- Austria -- Vienna.
- Literatur.
- Geistesleben.
- Wien.
- Juden.