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Vision and meaning in ninth-century Byzantium : image as exegesis in the homilies of Gregory of Nazianzus 資料のプレビュー
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Vision and meaning in ninth-century Byzantium : image as exegesis in the homilies of Gregory of Nazianzus

著者: Leslie Brubaker
出版: Cambridge ; New York : Cambridge University Press, ©1999.
シリーズ: Cambridge studies in palaeography and codicology, 6.
エディション/フォーマット:   書籍 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
This book centres on the copy of the Homilies of Gregory of Nazianzus produced in Constantinople around 880 for the Emperor Basil I as a gift from the patriarch Photios. The manuscript includes forty-six full-page miniatures, most of which do not directly illustrate the text they accompany, but instead provide a visual commentary. Vision and Meaning in Ninth-Century Byzantium deals with how such communication  続きを読む
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ジャンル/形式: Art
Illustrations
Sermons
関連の人物: Gregory, of Nazianzus Saint; Gregory, of Nazianzus Saint; Grégoire de Nazianze, (saint ;; Grégoire de Nazianze, (saint ;; Gregorius (Nazianzenus).
資料の種類: インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: Leslie Brubaker
ISBN: 0521621534 9780521621533
OCLC No.: 37935108
物理形態: xxiii, 489 pages : illustrations ; 25 cm.
コンテンツ: 1. Siting the miniatures: imagery in the ninth century --
2. The miniatures: internal evidence --
3. The biographical miniatures: toward image as exegesis --
4. Basil I and visual panegyric --
5. The patriarch Photios and visual exegesis --
6. Mission, martyrdom and visual polemic --
7. Perceptions of divinity --
8. Iconography --
9. Conclusions --
App. A. Inventory of the miniatures --
App. B. The textual references for the scenes in Paris.gr. 510 --
App. C. Quire diagrams.
シリーズタイトル: Cambridge studies in palaeography and codicology, 6.
責任者: Leslie Brubaker.
その他の情報:

概要:

This book centres on the copy of the Homilies of Gregory of Nazianzus produced in Constantinople around 880 for the Emperor Basil I as a gift from the patriarch Photios. The manuscript includes forty-six full-page miniatures, most of which do not directly illustrate the text they accompany, but instead provide a visual commentary. Vision and Meaning in Ninth-Century Byzantium deals with how such communication worked, and examines the types of messages that the pictures could convey to their audience.

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