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|Genre/Form:||Criticism, interpretation, etc
|Named Person:||George Villiers Buckingham, Duke of; House of Stuart; George Villiers Buckingham, Duke of; House of Stuart|
|All Authors / Contributors:||
|Notes:||"This book was submitted as a PhD thesis to Humboldt-Universität Berlin in 2008." (p. IX).|
|Description:||ix, 302 pages : illustrations (some color) ; 24 cm|
"As the first comprehensive study of Buckingham's patronage of the visual arts, this book is concerned with the question of how the painted image of the courtier transferred strategies of social distinction that had originated in the masque to the language of painting. Establishing a new grammar in the competing rhetorics of bodily self-fashioning, this recast notion of portraiture contributed to an epistemological change in perceptions of visual representation at the early modern English court, in the course of which painting advanced to the central art form in the aesthetics of kingship." (cover - p. 4).
Retrieving notes about this item
- Buckingham, George Villiers, -- Duke of, -- 1592-1628 -- Art collections.
- Stuart, House of.
- Great Britain -- History -- James I, 1603-1625.
- Great Britain -- History -- Charles I, 1625-1649.
- Great Britain -- Court and courtiers -- History -- 17th century.
- Great Britain -- Kings and rulers -- Portraits.
- Masques, English -- History and criticism.
- Buckingham, George Villiers, -- Duke of, -- 1592-1628.
- Art museums.
- Courts and courtiers.
- Kings and rulers.
- Masques, English.
- Great Britain.