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Vito Acconci : diary of a body, 1969-1973

Author: Vito Acconci; Sarina Basta; Garrett Ricciardi
Publisher: Milano ; New York City : Charta, ©2006.
Edition/Format:   Print book : Biography : EnglishView all editions and formats
Database:WorldCat
Summary:
"Between 1969 and 1973, Vito Acconci's creative output was focused on body pieces and performances, many of them seminal works now firmly lodged in the art historical cannon of the time. Whether he was transforming space by masturbating under a platform extension of the gallery floor or transforming the body by tucking his genitals between his legs, Acconci promoted a radical, corporeal method of working with the  Read more...
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Genre/Form: Catalogs
Notebooks, sketchbooks, etc
utställningskataloger
Notes, esquisses, etc
Additional Physical Format: Online version:
Acconci, Vito, 1940-
Vito Acconci.
Milan ; New York City : Charta, ©2006
(OCoLC)629919885
Named Person: Vito Acconci; Vito Acconci; Vito Acconci; Vito Acconci; Vito Acconci; Vito Acconci; Vito Acconci; Vito Acconci
Material Type: Biography
Document Type: Book
All Authors / Contributors: Vito Acconci; Sarina Basta; Garrett Ricciardi
ISBN: 9788881584772 8881584778
OCLC Number: 78989805
Notes: "Vito Acconci (New York, 1940) has opened his personal archive to deliver a monumental work: a historical chart of his practice from 1969 to 1973. These documents, published for the first time, present a rare look inside the life of this celebrated poet, writer, body artist, video-maker and designer of urban architecture"--P. [4] of cover.
Description: 394 p. : ill. (some col.) ; 28 cm.
Other Titles: Diary of a body, 1969-1973
Responsibility: [editing and organization, Vito Acconci, Sarina Basta, Garrett Ricciardi].

Abstract:

"Between 1969 and 1973, Vito Acconci's creative output was focused on body pieces and performances, many of them seminal works now firmly lodged in the art historical cannon of the time. Whether he was transforming space by masturbating under a platform extension of the gallery floor or transforming the body by tucking his genitals between his legs, Acconci promoted a radical, corporeal method of working with the human presence that has remained relevant in these less performative times. This publication traces the development of Acconci's early work through his own writings and documentations from that time. Rather than a critical study, it offers invaluable primary source materials: For each of the approximately 200 performances/works included, Acconci drafted meticulous notes, mapping out his ideas and describing the specifications of each piece. Many of the artist's works were ephemeral performances and actions, and these primary source materials are now the only extant artifacts from the work. Thus the book's contents come directly from Acconci's personal archives, and include his notes and documentations, plus photographs, where available. An introduction by Gregory Volk provides historical context and addresses the issues of body art and performance still relevant today." "The works of Vito Acconci are more often than not about creating a public space via the body-from his radical performances at the beginning of the seventies to his unusual architectural designs since the establishment of the Acconci studio at the end of the eighties. Between 1969 and 1973, his creative output was focused on body pieces and performances, many of them seminal works now firmly lodged in the art historical cannon of the time. This publication is a monumental and historical recount of the artist's itinerary from his first artistic stage as a poet, writer, video and body artist to his recognition today as a ground-breaking architect from 1969 to 1973. It traces the development of Acconci's early work through his own writings and documentations from that time and offers invaluable primary source materials. Each of the approximately 200 performances/works included are accompanied by Acconci's meticulous drafted notes."--BOOK JACKET.

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