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Voices of fire : art, rage, power, and the state

Auteur : Serge Guilbaut; John O'Brian; Bruce Barber
Éditeur : Toronto : University of Toronto Press, ©1996.
Collection : Theory/culture series.
Édition/format :   Print book : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
Item contains cartoons, letters, articles, essays, etc resulting from the debate (or outcry) following the purchase of Barnett Newman's "Voice of fire" by National Gallery of Canada. Also includes papers from a symposium organised by the National Gallery of Canada.
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Détails

Genre/forme : Case studies
Format – détails additionnels : Online version:
Voices of fire.
Toronto ; Buffalo : University of Toronto Press, ©1996
(OCoLC)632831316
Personne nommée : Barnett Newman; Barnett Newman
Format : Livre
Tous les auteurs / collaborateurs : Serge Guilbaut; John O'Brian; Bruce Barber
ISBN : 0802007546 9780802007544 0802078036 9780802078032
Numéro OCLC : 35936919
Description : xiv, 210 pages : illustrations, portraits ; 26 cm.
Contenu : Bruising the public eye / John O'Brian --
Vox ignis vox populi / Thierry de Duve --
Thalia meets the melpomene : the higher meaning of the Voice of fire and Flesh dress controversies / Bruce Barber --
Who's afraid of Barnett Newman? / John O'Brian --
Voicing the fire of the fierce father / Serge Guilbaut --
Tightrope metaphysics / Nicole Dubreuil-Blodin --
Sculpture of Barnett Newman / Robert Murray --
Specific thoughts about the making and meaning of Voice of fire / Brydon Smith.
Titre de collection : Theory/culture series.
Responsabilité : edited by Bruce Barber, Serge Guilbaut, and John O'Brian ; introduction by John O'Brian.

Résumé :

Item contains cartoons, letters, articles, essays, etc resulting from the debate (or outcry) following the purchase of Barnett Newman's "Voice of fire" by National Gallery of Canada. Also includes papers from a symposium organised by the National Gallery of Canada.

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Synopsis de l’éditeur

'This excellent book gives the reader not only a scholarly document but an example of what abstract art has had to endure in the 20th century' -- I. Spalatin "CHOICE"

 
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