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Voicing the void : muteness and memory in Holocaust fiction

Autor: Sara R Horowitz
Editorial: Albany : State University of New York Press, ©1997.
Serie: SUNY series in modern Jewish literature and culture.
Edición/Formato:   Libro-e : Publicación gubernamental estatal o provincial : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
Through new close readings of Holocaust fiction, this book takes the field of Holocaust Studies in an important new direction. Reading a wide range of narratives representing different nationalities, styles, genders, and approaches, Horowitz demonstrates that muteness not only expresses the difficulty in saying anything meaningful about the Holocaust - it also represents something essential about the nature of the  Leer más
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Detalles

Género/Forma: Electronic books
Criticism, interpretation, etc
Formato físico adicional: Print version:
Horowitz, Sara R., 1951-
Voicing the void.
Albany : State University of New York Press, ©1997
(DLC) 95051818
(OCoLC)33967778
Tipo de material: Publicación gubernamental, Publicación gubernamental estatal o provincial, Recurso en Internet
Tipo de documento: Recurso en Internet, Archivo de computadora
Todos autores / colaboradores: Sara R Horowitz
ISBN: 0585055491 9780585055497 9780791431290 0791431290 9780791431306 0791431304
Número OCLC: 42855116
Descripción: 1 online resource (vii, 276 pages).
Contenido: 1. Introduction: The Idea of Fiction --
2. The Figure of Muteness --
3. Voices from the Killing Ground --
4. The Mute Language of Brutality --
5. The Reluctant Witness --
6. Muted Chords: From Victim to Survivor --
7. The Night Side of Speech --
8. Refused Memory --
9. The Chain of Testimony.
Título de la serie: SUNY series in modern Jewish literature and culture.
Responsabilidad: Sara R. Horowitz.

Resumen:

Through new close readings of Holocaust fiction, this book takes the field of Holocaust Studies in an important new direction. Reading a wide range of narratives representing different nationalities, styles, genders, and approaches, Horowitz demonstrates that muteness not only expresses the difficulty in saying anything meaningful about the Holocaust - it also represents something essential about the nature of the event itself. The radical negativity of the Holocaust ruptures the fabric of history and memory, emptying both narrative and life of meaning. At the heart of Holocaust fiction lies a tension between the silence that speaks the rupture, and the narrative forms that attempt to represent, to bridge it.

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